Philosophy of the ArtsHarvard University Press, 1950 - 239 strani |
Iz vsebine knjige
Zadetki 1–3 od 38
Stran
... contemporary aesthetic theory , I suppose , we are at the be- ginning of a new era in which we must also dig into extant issues which are being disputed by all people interested in the arts and not only by aestheticians . Some ...
... contemporary aesthetic theory , I suppose , we are at the be- ginning of a new era in which we must also dig into extant issues which are being disputed by all people interested in the arts and not only by aestheticians . Some ...
Stran 20
... contemporary formalists and their critics , especially as that dispute has been articulated by both parties to it . One of the leading , if not the most vehement , critics of the formalist theory of Bell and Fry is DeWitt Parker ...
... contemporary formalists and their critics , especially as that dispute has been articulated by both parties to it . One of the leading , if not the most vehement , critics of the formalist theory of Bell and Fry is DeWitt Parker ...
Stran 134
... contemporary aesthetic inquiry there is a good deal of dis- cussion about the linguistic character of art . Morris , Langer , Cassirer , Richards , Burke , Blackmur , Panofsky , Ducasse , Freud , and others have dealt extensively with ...
... contemporary aesthetic inquiry there is a good deal of dis- cussion about the linguistic character of art . Morris , Langer , Cassirer , Richards , Burke , Blackmur , Panofsky , Ducasse , Freud , and others have dealt extensively with ...
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
A. C. Bradley abstract abstract art accept aesthetic experience aesthetic theory aestheticians analysis appreciation of art art object assertions attitude basic believe Bell and Fry Bell's Bertrand Russell Cézanne Cézanne's chap character characteristics Cleanth Brooks Clive Bell communication complex conception constituents contemplation criticism Cubism depth meanings Desdemona desire doctrine dramatic Ducasse Ducasse's El Greco Emilia emotionalist evaluation example expressive qualities fact Fascism feelings form and content formalism Fry's function Hanslick human experience I. A. Richards Ibid iconic ideas imaginative indulgence interpret italics in original John Hospers kind language line and color literature medium modern motion picture nature novel ordinary organic theory painting Parker Philosophy plastic elements poem poetry problem Prufrock psychological pure purism question rejected relation representation Richards Roger Fry satisfaction semantical sense significant form specific spectator symbolic art T. S. Eliot theme theory of appreciation thing tion transparent symbol values whole