Philosophy of the ArtsHarvard University Press, 1950 - 239 strani |
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Stran 136
... embody truth claims ? Among contemporary aestheticians who have been engaging in debate on this issue , T. M. Greene has offered the most extensive defense of the doctrine that art does embody truth claims , and he maintains that all of ...
... embody truth claims ? Among contemporary aestheticians who have been engaging in debate on this issue , T. M. Greene has offered the most extensive defense of the doctrine that art does embody truth claims , and he maintains that all of ...
Stran 144
... embody these claims , and within the surface - printed sentences . In no way does it follow from the presence of ... embody truth claims ? ( 2 ) ought any art to embody truth claims ? ( 3 ) does the presence of truth claims make a ...
... embody these claims , and within the surface - printed sentences . In no way does it follow from the presence of ... embody truth claims ? ( 2 ) ought any art to embody truth claims ? ( 3 ) does the presence of truth claims make a ...
Stran 145
... embody truth claims within the printed sentences ; this is the first category . It can also embody truth claims as depth meanings . The truth claim of " Prufrock , " namely , that there are two kinds of life and two kinds of death , is ...
... embody truth claims within the printed sentences ; this is the first category . It can also embody truth claims as depth meanings . The truth claim of " Prufrock , " namely , that there are two kinds of life and two kinds of death , is ...
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A. C. Bradley abstract abstract art accept aesthetic experience aesthetic theory aestheticians analysis appreciation of art art object assertions attitude basic believe Bell and Fry Bell's Bertrand Russell Cézanne Cézanne's chap character characteristics Cleanth Brooks Clive Bell communication complex conception constituents contemplation criticism Cubism depth meanings Desdemona desire doctrine dramatic Ducasse Ducasse's El Greco Emilia emotionalist evaluation example expressive qualities fact Fascism feelings form and content formalism Fry's function Hanslick human experience I. A. Richards Ibid iconic ideas imaginative indulgence interpret italics in original John Hospers kind language line and color literature medium modern motion picture nature novel ordinary organic theory painting Parker Philosophy plastic elements poem poetry problem Prufrock psychological pure purism question rejected relation representation Richards Roger Fry satisfaction semantical sense significant form specific spectator symbolic art T. S. Eliot theme theory of appreciation thing tion transparent symbol values whole