Philosophy of the ArtsHarvard University Press, 1950 - 239 strani |
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Zadetki 1–3 od 35
Stran 20
... especially as that dispute has been articulated by both parties to it . One of the leading , if not the most vehement , critics of the formalist theory of Bell and Fry is DeWitt Parker . Parker's aesthet- ics is itself one of the more ...
... especially as that dispute has been articulated by both parties to it . One of the leading , if not the most vehement , critics of the formalist theory of Bell and Fry is DeWitt Parker . Parker's aesthet- ics is itself one of the more ...
Stran 82
... especially in their murals , with the best examples of this kind of art . In the whole of this “ revolutionary " art , where the subject is the class struggle in its various manifestations and its attendant ex- pressive qualities of ...
... especially in their murals , with the best examples of this kind of art . In the whole of this “ revolutionary " art , where the subject is the class struggle in its various manifestations and its attendant ex- pressive qualities of ...
Stran 134
... especially fantastic art ; consequently , it was succeeded by the romantic theory , according to which art is essentially imagination Further probings into the nature of art , especially in the last one hundred years or so , disclosed ...
... especially fantastic art ; consequently , it was succeeded by the romantic theory , according to which art is essentially imagination Further probings into the nature of art , especially in the last one hundred years or so , disclosed ...
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A. C. Bradley abstract abstract art accept aesthetic experience aesthetic theory aestheticians analysis appreciation of art art object assertions attitude basic believe Bell and Fry Bell's Bertrand Russell Cézanne Cézanne's chap character characteristics Cleanth Brooks Clive Bell communication complex conception constituents contemplation criticism Cubism depth meanings Desdemona desire doctrine dramatic Ducasse Ducasse's El Greco Emilia emotionalist evaluation example expressive qualities fact Fascism feelings form and content formalism Fry's function Hanslick human experience I. A. Richards Ibid iconic ideas imaginative indulgence interpret italics in original John Hospers kind language line and color literature medium modern motion picture nature novel ordinary organic theory painting Parker Philosophy plastic elements poem poetry problem Prufrock psychological pure purism question rejected relation representation Richards Roger Fry satisfaction semantical sense significant form specific spectator symbolic art T. S. Eliot theme theory of appreciation thing tion transparent symbol values whole