Philosophy of the ArtsHarvard University Press, 1950 - 239 strani |
Iz vsebine knjige
Zadetki 1–3 od 21
Stran 135
... feelings of approval toward it , perhaps even in the hope of evoking similar feelings in my listeners . This distinction between the emotive and the symbolic ( refer- ential ) uses of language Richards regards as basic to the ...
... feelings of approval toward it , perhaps even in the hope of evoking similar feelings in my listeners . This distinction between the emotive and the symbolic ( refer- ential ) uses of language Richards regards as basic to the ...
Stran 149
... feelings and attitudes ( or perhaps even opposing ones ) in the spectators around the worshiper . And , most ... feeling or attitude , or that it can induce others to act , need not be denied ; but that it is pure emoting , completely ...
... feelings and attitudes ( or perhaps even opposing ones ) in the spectators around the worshiper . And , most ... feeling or attitude , or that it can induce others to act , need not be denied ; but that it is pure emoting , completely ...
Stran 173
Morris Weitz. feelings he has lived through , and that others are infected by these feelings and also experience them.15 Without the actual transmission of feelings from the artist to the spectator , the aesthetic experience is aborted ...
Morris Weitz. feelings he has lived through , and that others are infected by these feelings and also experience them.15 Without the actual transmission of feelings from the artist to the spectator , the aesthetic experience is aborted ...
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
A. C. Bradley abstract abstract art accept aesthetic experience aesthetic theory aestheticians analysis appreciation of art art object assertions attitude basic believe Bell and Fry Bell's Bertrand Russell Cézanne Cézanne's chap character characteristics Cleanth Brooks Clive Bell communication complex conception constituents contemplation criticism Cubism depth meanings Desdemona desire doctrine dramatic Ducasse Ducasse's El Greco Emilia emotionalist evaluation example expressive qualities fact Fascism feelings form and content formalism Fry's function Hanslick human experience I. A. Richards Ibid iconic ideas imaginative indulgence interpret italics in original John Hospers kind language line and color literature medium modern motion picture nature novel ordinary organic theory painting Parker Philosophy plastic elements poem poetry problem Prufrock psychological pure purism question rejected relation representation Richards Roger Fry satisfaction semantical sense significant form specific spectator symbolic art T. S. Eliot theme theory of appreciation thing tion transparent symbol values whole