Philosophy of the ArtsHarvard University Press, 1950 - 239 strani |
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Zadetki 1–3 od 54
Stran 1
... formalism . During the last hundred years , there have been a number of formalist aesthetics developed . Two of ... formalism of Bell and Fry . They were primarily practicing critics who were intent upon com- ing to grips with modern ...
... formalism . During the last hundred years , there have been a number of formalist aesthetics developed . Two of ... formalism of Bell and Fry . They were primarily practicing critics who were intent upon com- ing to grips with modern ...
Stran 29
... formalism , which , once more , has little to do with emotionalist aesthetic doctrines , is that formalism ignores the importance of " elevated " themes , important subjects , the whole realm of the ideational in art . Formalism ...
... formalism , which , once more , has little to do with emotionalist aesthetic doctrines , is that formalism ignores the importance of " elevated " themes , important subjects , the whole realm of the ideational in art . Formalism ...
Stran 32
... formalism , emotionalism , intellectualism , etc. Instead , we have seen that the conflict between formalism and its critics resolves into certain issues that have to do with problems like the nature of representation ; form and content ...
... formalism , emotionalism , intellectualism , etc. Instead , we have seen that the conflict between formalism and its critics resolves into certain issues that have to do with problems like the nature of representation ; form and content ...
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A. C. Bradley abstract abstract art accept aesthetic experience aesthetic theory aestheticians analysis appreciation of art art object assertions attitude basic believe Bell and Fry Bell's Bertrand Russell Cézanne Cézanne's chap character characteristics Cleanth Brooks Clive Bell communication complex conception constituents contemplation criticism Cubism depth meanings Desdemona desire doctrine dramatic Ducasse Ducasse's El Greco Emilia emotionalist evaluation example expressive qualities fact Fascism feelings form and content formalism Fry's function Hanslick human experience I. A. Richards Ibid iconic ideas imaginative indulgence interpret italics in original John Hospers kind language line and color literature medium modern motion picture nature novel ordinary organic theory painting Parker Philosophy plastic elements poem poetry problem Prufrock psychological pure purism question rejected relation representation Richards Roger Fry satisfaction semantical sense significant form specific spectator symbolic art T. S. Eliot theme theory of appreciation thing tion transparent symbol values whole