Philosophy of the ArtsHarvard University Press, 1950 - 239 strani |
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Zadetki 1–3 od 58
Stran 85
... functions as an opaque symbol , and must be comprehended in that capacity . Kandinsky's so - called nonrepresentational , abstract art is mean- ingful in a sound semantical sense ; it does function as representa- tional art , even ...
... functions as an opaque symbol , and must be comprehended in that capacity . Kandinsky's so - called nonrepresentational , abstract art is mean- ingful in a sound semantical sense ; it does function as representa- tional art , even ...
Stran 114
... function as symbols , they are not fixed at all . The word " red " means red in one poem and in an- other , and in hundreds of them . But four related tones may mean , in a semantically symbolic way , fate in one symphony , love in ...
... function as symbols , they are not fixed at all . The word " red " means red in one poem and in an- other , and in hundreds of them . But four related tones may mean , in a semantically symbolic way , fate in one symphony , love in ...
Stran 117
... function as signs , that is , as vehicles of meaning , to the listeners of music The question is not whether music means anything but what does it mean ? And this is tantamount to asking / what are the different ways that the ...
... function as signs , that is , as vehicles of meaning , to the listeners of music The question is not whether music means anything but what does it mean ? And this is tantamount to asking / what are the different ways that the ...
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A. C. Bradley abstract abstract art accept aesthetic experience aesthetic theory aestheticians analysis appreciation of art art object assertions attitude basic believe Bell and Fry Bell's Bertrand Russell Cézanne Cézanne's chap character characteristics Cleanth Brooks Clive Bell communication complex conception constituents contemplation criticism Cubism depth meanings Desdemona desire doctrine dramatic Ducasse Ducasse's El Greco Emilia emotionalist evaluation example expressive qualities fact Fascism feelings form and content formalism Fry's function Hanslick human experience I. A. Richards Ibid iconic ideas imaginative indulgence interpret italics in original John Hospers kind language line and color literature medium modern motion picture nature novel ordinary organic theory painting Parker Philosophy plastic elements poem poetry problem Prufrock psychological pure purism question rejected relation representation Richards Roger Fry satisfaction semantical sense significant form specific spectator symbolic art T. S. Eliot theme theory of appreciation thing tion transparent symbol values whole