Philosophy of the ArtsHarvard University Press, 1950 - 239 strani |
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Zadetki 1–3 od 24
Stran 71
... iconic with chunki- ness and delicacy with attenuated lines , and that red is not iconic with warmth but a transparent symbol of it , we must modify this traditional conception of the horizontal . Is the horizontal in relation to repose ...
... iconic with chunki- ness and delicacy with attenuated lines , and that red is not iconic with warmth but a transparent symbol of it , we must modify this traditional conception of the horizontal . Is the horizontal in relation to repose ...
Stran 72
... iconic with these experiences in the same sense that a map is iconic with the territory that it represents . The undulating line means or represents , in an iconic way , the anguish quality of much of human experience . state . The The ...
... iconic with these experiences in the same sense that a map is iconic with the territory that it represents . The undulating line means or represents , in an iconic way , the anguish quality of much of human experience . state . The The ...
Stran 116
... iconic with the graceful , etc. , in human experience or only associ- ated with these features of human experience in the way that transparent symbols are ? But his fundamental claim is sound , so far as it goes . Human beings have many ...
... iconic with the graceful , etc. , in human experience or only associ- ated with these features of human experience in the way that transparent symbols are ? But his fundamental claim is sound , so far as it goes . Human beings have many ...
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A. C. Bradley abstract abstract art accept aesthetic experience aesthetic theory aestheticians analysis appreciation of art art object assertions attitude basic believe Bell and Fry Bell's Bertrand Russell Cézanne Cézanne's chap character characteristics Cleanth Brooks Clive Bell communication complex conception constituents contemplation criticism Cubism depth meanings Desdemona desire doctrine dramatic Ducasse Ducasse's El Greco Emilia emotionalist evaluation example expressive qualities fact Fascism feelings form and content formalism Fry's function Hanslick human experience I. A. Richards Ibid iconic ideas imaginative indulgence interpret italics in original John Hospers kind language line and color literature medium modern motion picture nature novel ordinary organic theory painting Parker Philosophy plastic elements poem poetry problem Prufrock psychological pure purism question rejected relation representation Richards Roger Fry satisfaction semantical sense significant form specific spectator symbolic art T. S. Eliot theme theory of appreciation thing tion transparent symbol values whole