Philosophy of the ArtsHarvard University Press, 1950 - 239 strani |
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Zadetki 1–3 od 52
Stran 29
... importance of " elevated " themes , important subjects , the whole realm of the ideational in art . Formalism necessarily reduces art to sensuous surface and decoration , thereby incapaci- tating itself to explain much that is important ...
... importance of " elevated " themes , important subjects , the whole realm of the ideational in art . Formalism necessarily reduces art to sensuous surface and decoration , thereby incapaci- tating itself to explain much that is important ...
Stran 200
... important , there will naturally be relativism in our basic philosophies of life . But , and this has been our main ... important is the subject ? to how important is the specific quality of the expressive ? One may easily grant our ...
... important , there will naturally be relativism in our basic philosophies of life . But , and this has been our main ... important is the subject ? to how important is the specific quality of the expressive ? One may easily grant our ...
Stran 201
... important as the tender or the tense . - In my opinion , it is here that we encounter ultimate relativism or subjectivism in evaluative criticism What makes one theme more profound than another , one character richer than another , T or ...
... important as the tender or the tense . - In my opinion , it is here that we encounter ultimate relativism or subjectivism in evaluative criticism What makes one theme more profound than another , one character richer than another , T or ...
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A. C. Bradley abstract abstract art accept aesthetic experience aesthetic theory aestheticians analysis appreciation of art art object assertions attitude basic believe Bell and Fry Bell's Bertrand Russell Cézanne Cézanne's chap character characteristics Cleanth Brooks Clive Bell communication complex conception constituents contemplation criticism Cubism depth meanings Desdemona desire doctrine dramatic Ducasse Ducasse's El Greco Emilia emotionalist evaluation example expressive qualities fact Fascism feelings form and content formalism Fry's function Hanslick human experience I. A. Richards Ibid iconic ideas imaginative indulgence interpret italics in original John Hospers kind language line and color literature medium modern motion picture nature novel ordinary organic theory painting Parker Philosophy plastic elements poem poetry problem Prufrock psychological pure purism question rejected relation representation Richards Roger Fry satisfaction semantical sense significant form specific spectator symbolic art T. S. Eliot theme theory of appreciation thing tion transparent symbol values whole