Philosophy of the ArtsHarvard University Press, 1950 - 239 strani |
Iz vsebine knjige
Zadetki 1–3 od 32
Stran 8
... Literature In his various writings , Bell has touched upon some of the arts other than painting , mainly music and literature . His musical aes- thetics parallels his aesthetics of painting . The essence of music is also significant ...
... Literature In his various writings , Bell has touched upon some of the arts other than painting , mainly music and literature . His musical aes- thetics parallels his aesthetics of painting . The essence of music is also significant ...
Stran 9
... literature an immense amount of stuff which is not purely aesthetic , which is cognitive and suggestive , and which an intelligent bourgeois can under- stand as well as anyone else . - Literature , I cannot help thinking , must be ...
... literature an immense amount of stuff which is not purely aesthetic , which is cognitive and suggestive , and which an intelligent bourgeois can under- stand as well as anyone else . - Literature , I cannot help thinking , must be ...
Stran 137
... literature ( with the trivial exception of those statements in it that are about historical figures and places , etc. ) is primarily emotive . Still , it does not follow that none of it is also referential . For if we em- ploy Parker's ...
... literature ( with the trivial exception of those statements in it that are about historical figures and places , etc. ) is primarily emotive . Still , it does not follow that none of it is also referential . For if we em- ploy Parker's ...
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
A. C. Bradley abstract abstract art accept aesthetic experience aesthetic theory aestheticians analysis appreciation of art art object assertions attitude basic believe Bell and Fry Bell's Bertrand Russell Cézanne Cézanne's chap character characteristics Cleanth Brooks Clive Bell communication complex conception constituents contemplation criticism Cubism depth meanings Desdemona desire doctrine dramatic Ducasse Ducasse's El Greco Emilia emotionalist evaluation example expressive qualities fact Fascism feelings form and content formalism Fry's function Hanslick human experience I. A. Richards Ibid iconic ideas imaginative indulgence interpret italics in original John Hospers kind language line and color literature medium modern motion picture nature novel ordinary organic theory painting Parker Philosophy plastic elements poem poetry problem Prufrock psychological pure purism question rejected relation representation Richards Roger Fry satisfaction semantical sense significant form specific spectator symbolic art T. S. Eliot theme theory of appreciation thing tion transparent symbol values whole