Philosophy of the ArtsHarvard University Press, 1950 - 239 strani |
Iz vsebine knjige
Zadetki 1–3 od 21
Stran 122
... materials of archi- tecture . Modern architects see in marble palaces that function as banks or railroad stations , in colonial mansions or French chateaux that turn out to be gas stations , in Gothic churches that are public libraries ...
... materials of archi- tecture . Modern architects see in marble palaces that function as banks or railroad stations , in colonial mansions or French chateaux that turn out to be gas stations , in Gothic churches that are public libraries ...
Stran 123
Morris Weitz. - materials organized in accordance with some plan or purpose . Materials are sources of expressiveness . Ferroconcrete , steel , wood , brick , stone , and glass have their own physical and expressive potentialities ...
Morris Weitz. - materials organized in accordance with some plan or purpose . Materials are sources of expressiveness . Ferroconcrete , steel , wood , brick , stone , and glass have their own physical and expressive potentialities ...
Stran 124
Morris Weitz. essentially in conflict with the raw materials of nature and who extol the transformations of these raw materials into highly con- trived , artificial environments , wish to make of man an ordered being and , consequently ...
Morris Weitz. essentially in conflict with the raw materials of nature and who extol the transformations of these raw materials into highly con- trived , artificial environments , wish to make of man an ordered being and , consequently ...
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
A. C. Bradley abstract abstract art accept aesthetic experience aesthetic theory aestheticians analysis appreciation of art art object assertions attitude basic believe Bell and Fry Bell's Bertrand Russell Cézanne Cézanne's chap character characteristics Cleanth Brooks Clive Bell communication complex conception constituents contemplation criticism Cubism depth meanings Desdemona desire doctrine dramatic Ducasse Ducasse's El Greco Emilia emotionalist evaluation example expressive qualities fact Fascism feelings form and content formalism Fry's function Hanslick human experience I. A. Richards Ibid iconic ideas imaginative indulgence interpret italics in original John Hospers kind language line and color literature medium modern motion picture nature novel ordinary organic theory painting Parker Philosophy plastic elements poem poetry problem Prufrock psychological pure purism question rejected relation representation Richards Roger Fry satisfaction semantical sense significant form specific spectator symbolic art T. S. Eliot theme theory of appreciation thing tion transparent symbol values whole