Philosophy of the ArtsHarvard University Press, 1950 - 239 strani |
Iz vsebine knjige
Zadetki 1–3 od 59
Stran 110
... problem of the meaning of music is insoluble . In order to unravel the traditional answers to our problem and , if we can , to secure a sounder one for ourselves , let us begin by inquiring into the nature of language . There is at the ...
... problem of the meaning of music is insoluble . In order to unravel the traditional answers to our problem and , if we can , to secure a sounder one for ourselves , let us begin by inquiring into the nature of language . There is at the ...
Stran 159
... problem of belief inevitably arises as the problem of our proper attitude toward this one constituent . That is to say , we must always ask , what ought our attitude to be toward the truth claims of poetry ? This objection applies to ...
... problem of belief inevitably arises as the problem of our proper attitude toward this one constituent . That is to say , we must always ask , what ought our attitude to be toward the truth claims of poetry ? This objection applies to ...
Stran 191
... Problem of Criticism We come finally to the relation between appreciation and criti- cism of works of art . The whole problem of criticism is in difficult straits today . For one thing , so many different kinds of activity pass for ...
... Problem of Criticism We come finally to the relation between appreciation and criti- cism of works of art . The whole problem of criticism is in difficult straits today . For one thing , so many different kinds of activity pass for ...
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
A. C. Bradley abstract abstract art accept aesthetic experience aesthetic theory aestheticians analysis appreciation of art art object assertions attitude basic believe Bell and Fry Bell's Bertrand Russell Cézanne Cézanne's chap character characteristics Cleanth Brooks Clive Bell communication complex conception constituents contemplation criticism Cubism depth meanings Desdemona desire doctrine dramatic Ducasse Ducasse's El Greco Emilia emotionalist evaluation example expressive qualities fact Fascism feelings form and content formalism Fry's function Hanslick human experience I. A. Richards Ibid iconic ideas imaginative indulgence interpret italics in original John Hospers kind language line and color literature medium modern motion picture nature novel ordinary organic theory painting Parker Philosophy plastic elements poem poetry problem Prufrock psychological pure purism question rejected relation representation Richards Roger Fry satisfaction semantical sense significant form specific spectator symbolic art T. S. Eliot theme theory of appreciation thing tion transparent symbol values whole