Philosophy of the ArtsHarvard University Press, 1950 - 239 strani |
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Zadetki 1–3 od 23
Stran 94
... reading ( although they may grow out of it ) , since their primary emphasis is not upon the analysis of the various constituents of the poem as they relate to each other in an organic way . Our analysis , there- fore , will be a reading ...
... reading ( although they may grow out of it ) , since their primary emphasis is not upon the analysis of the various constituents of the poem as they relate to each other in an organic way . Our analysis , there- fore , will be a reading ...
Stran 103
... reading , " we drown " means that we cast off our limbo existence , in a kind of baptismal way , and enter into the ... reading of the poem . This reading is the sine qua non of an aesthetic analysis . The question now arises , are these ...
... reading , " we drown " means that we cast off our limbo existence , in a kind of baptismal way , and enter into the ... reading of the poem . This reading is the sine qua non of an aesthetic analysis . The question now arises , are these ...
Stran 165
... Reading well , whether it involves reading what we accept or what we reject , is reading with an eye for these possibilities and the liberating effects they offer to us . Voluntarism : Freud's Theory The next theory of art appreciation ...
... Reading well , whether it involves reading what we accept or what we reject , is reading with an eye for these possibilities and the liberating effects they offer to us . Voluntarism : Freud's Theory The next theory of art appreciation ...
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A. C. Bradley abstract abstract art accept aesthetic experience aesthetic theory aestheticians analysis appreciation of art art object assertions attitude basic believe Bell and Fry Bell's Bertrand Russell Cézanne Cézanne's chap character characteristics Cleanth Brooks Clive Bell communication complex conception constituents contemplation criticism Cubism depth meanings Desdemona desire doctrine dramatic Ducasse Ducasse's El Greco Emilia emotionalist evaluation example expressive qualities fact Fascism feelings form and content formalism Fry's function Hanslick human experience I. A. Richards Ibid iconic ideas imaginative indulgence interpret italics in original John Hospers kind language line and color literature medium modern motion picture nature novel ordinary organic theory painting Parker Philosophy plastic elements poem poetry problem Prufrock psychological pure purism question rejected relation representation Richards Roger Fry satisfaction semantical sense significant form specific spectator symbolic art T. S. Eliot theme theory of appreciation thing tion transparent symbol values whole