Philosophy of the ArtsHarvard University Press, 1950 - 239 strani |
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Zadetki 1–3 od 17
Stran 2
... refer to prevalent aesthetic views , like voluntarism , intellectualism , emotionalism , formalism , or hedonism , are treacherous and to be employed with extreme care , since some of these terms refer to theories concern- ing the art ...
... refer to prevalent aesthetic views , like voluntarism , intellectualism , emotionalism , formalism , or hedonism , are treacherous and to be employed with extreme care , since some of these terms refer to theories concern- ing the art ...
Stran 30
... refer to as plastic structure . Space , light , color , line , mass , etc. , are universals , and Bell and Fry , as formalists , certainly insist as strongly as any aes- thetician upon the artistic importance of them . What Bell and Fry ...
... refer to as plastic structure . Space , light , color , line , mass , etc. , are universals , and Bell and Fry , as formalists , certainly insist as strongly as any aes- thetician upon the artistic importance of them . What Bell and Fry ...
Stran 50
... refer to the same thing : the linguistic and imaginative elements of art in organic relation to each other . 19 Barnes , in The Art in Painting , distinguishes between two in- separable aspects of painting , plastic form and subject ...
... refer to the same thing : the linguistic and imaginative elements of art in organic relation to each other . 19 Barnes , in The Art in Painting , distinguishes between two in- separable aspects of painting , plastic form and subject ...
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A. C. Bradley abstract abstract art accept aesthetic experience aesthetic theory aestheticians analysis appreciation of art art object assertions attitude basic believe Bell and Fry Bell's Bertrand Russell Cézanne Cézanne's chap character characteristics Cleanth Brooks Clive Bell communication complex conception constituents contemplation criticism Cubism depth meanings Desdemona desire doctrine dramatic Ducasse Ducasse's El Greco Emilia emotionalist evaluation example expressive qualities fact Fascism feelings form and content formalism Fry's function Hanslick human experience I. A. Richards Ibid iconic ideas imaginative indulgence interpret italics in original John Hospers kind language line and color literature medium modern motion picture nature novel ordinary organic theory painting Parker Philosophy plastic elements poem poetry problem Prufrock psychological pure purism question rejected relation representation Richards Roger Fry satisfaction semantical sense significant form specific spectator symbolic art T. S. Eliot theme theory of appreciation thing tion transparent symbol values whole