Philosophy of the ArtsHarvard University Press, 1950 - 239 strani |
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Zadetki 1–3 od 64
Stran 50
... relation . Form , for Parker , is a set of abstract properties of these elements in relation . It has to do with the unity , variety , balance , evolution , and hierarchy of these elements in relation . Consequently , Parker means by ...
... relation . Form , for Parker , is a set of abstract properties of these elements in relation . It has to do with the unity , variety , balance , evolution , and hierarchy of these elements in relation . Consequently , Parker means by ...
Stran 52
... relations of this linguistic complex are externally constituted in the sense that no one element , characteristic , or relation is an attribute of any of the others . The constituents , in their nature and meaning , remain the same no ...
... relations of this linguistic complex are externally constituted in the sense that no one element , characteristic , or relation is an attribute of any of the others . The constituents , in their nature and meaning , remain the same no ...
Stran 117
... relation an iconic one . But this is difficult to support . Rather , the relation between dissonance and instability is similar to the relation between red and the lively , in that dissonance is a transparent symbol of the unstable or ...
... relation an iconic one . But this is difficult to support . Rather , the relation between dissonance and instability is similar to the relation between red and the lively , in that dissonance is a transparent symbol of the unstable or ...
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A. C. Bradley abstract abstract art accept aesthetic experience aesthetic theory aestheticians analysis appreciation of art art object assertions attitude basic believe Bell and Fry Bell's Bertrand Russell Cézanne Cézanne's chap character characteristics Cleanth Brooks Clive Bell communication complex conception constituents contemplation criticism Cubism depth meanings Desdemona desire doctrine dramatic Ducasse Ducasse's El Greco Emilia emotionalist evaluation example expressive qualities fact Fascism feelings form and content formalism Fry's function Hanslick human experience I. A. Richards Ibid iconic ideas imaginative indulgence interpret italics in original John Hospers kind language line and color literature medium modern motion picture nature novel ordinary organic theory painting Parker Philosophy plastic elements poem poetry problem Prufrock psychological pure purism question rejected relation representation Richards Roger Fry satisfaction semantical sense significant form specific spectator symbolic art T. S. Eliot theme theory of appreciation thing tion transparent symbol values whole