Philosophy of the ArtsHarvard University Press, 1950 - 239 strani |
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Stran 44
... specific person , thing , scene , or event which exists outside of the work , and which is what we say the work is about . Semantically , the subject functions as a sign of specific entities - i.e . , persons , events , etc. That which ...
... specific person , thing , scene , or event which exists outside of the work , and which is what we say the work is about . Semantically , the subject functions as a sign of specific entities - i.e . , persons , events , etc. That which ...
Stran 103
... specific meanings . But it happens that many words are ambiguous , that is , have a number of specific meanings Science tries to reduce this ambiguity , poetry to exploit it . Poetry - is based upon ambiguity , or a better term THE ARTS ...
... specific meanings . But it happens that many words are ambiguous , that is , have a number of specific meanings Science tries to reduce this ambiguity , poetry to exploit it . Poetry - is based upon ambiguity , or a better term THE ARTS ...
Stran 112
... specific ideas , emotions , events , characters , inner psychological struggles , etc. They do not affirm that music must have meaning in this way , only that it can if the composer supplies his listeners with the set of specific ...
... specific ideas , emotions , events , characters , inner psychological struggles , etc. They do not affirm that music must have meaning in this way , only that it can if the composer supplies his listeners with the set of specific ...
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A. C. Bradley abstract abstract art accept aesthetic experience aesthetic theory aestheticians analysis appreciation of art art object assertions attitude basic believe Bell and Fry Bell's Bertrand Russell Cézanne Cézanne's chap character characteristics Cleanth Brooks Clive Bell communication complex conception constituents contemplation criticism Cubism depth meanings Desdemona desire doctrine dramatic Ducasse Ducasse's El Greco Emilia emotionalist evaluation example expressive qualities fact Fascism feelings form and content formalism Fry's function Hanslick human experience I. A. Richards Ibid iconic ideas imaginative indulgence interpret italics in original John Hospers kind language line and color literature medium modern motion picture nature novel ordinary organic theory painting Parker Philosophy plastic elements poem poetry problem Prufrock psychological pure purism question rejected relation representation Richards Roger Fry satisfaction semantical sense significant form specific spectator symbolic art T. S. Eliot theme theory of appreciation thing tion transparent symbol values whole