Philosophy of the ArtsHarvard University Press, 1950 - 239 strani |
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Zadetki 1–3 od 31
Stran 39
... theme , “ what it is about , " the subject , the " Idea " ; and the how is the way in which the Idea or theme is expressed . Artist - critics like A. E. Housman and aestheticians like C. J. Ducasse sometimes talk this way.3 + No , ав In ...
... theme , “ what it is about , " the subject , the " Idea " ; and the how is the way in which the Idea or theme is expressed . Artist - critics like A. E. Housman and aestheticians like C. J. Ducasse sometimes talk this way.3 + No , ав In ...
Stran 106
... theme embroidered by metaphor , but the unfold- ing of metaphor . The whole of " Prufrock , " we may say , is the ... theme or Idea is in the poem , as a depth meaning ; but it would be wrong to say with Housman that the poem is this ...
... theme embroidered by metaphor , but the unfold- ing of metaphor . The whole of " Prufrock , " we may say , is the ... theme or Idea is in the poem , as a depth meaning ; but it would be wrong to say with Housman that the poem is this ...
Stran 200
... theme , with all of their individual and total expressive characteristics , of Werther ? Does not the fact that ... theme enters into our evaluation of the work and may come to balance or even overbalance any deficiencies of organic ...
... theme , with all of their individual and total expressive characteristics , of Werther ? Does not the fact that ... theme enters into our evaluation of the work and may come to balance or even overbalance any deficiencies of organic ...
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A. C. Bradley abstract abstract art accept aesthetic experience aesthetic theory aestheticians analysis appreciation of art art object assertions attitude basic believe Bell and Fry Bell's Bertrand Russell Cézanne Cézanne's chap character characteristics Cleanth Brooks Clive Bell communication complex conception constituents contemplation criticism Cubism depth meanings Desdemona desire doctrine dramatic Ducasse Ducasse's El Greco Emilia emotionalist evaluation example expressive qualities fact Fascism feelings form and content formalism Fry's function Hanslick human experience I. A. Richards Ibid iconic ideas imaginative indulgence interpret italics in original John Hospers kind language line and color literature medium modern motion picture nature novel ordinary organic theory painting Parker Philosophy plastic elements poem poetry problem Prufrock psychological pure purism question rejected relation representation Richards Roger Fry satisfaction semantical sense significant form specific spectator symbolic art T. S. Eliot theme theory of appreciation thing tion transparent symbol values whole