Philosophy of the ArtsHarvard University Press, 1950 - 239 strani |
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Zadetki 1–3 od 42
Stran 22
... values ; these belong to the lines and colors as such , with no reference to representation . This is beauty on the level of sensuous surface . Besides this factor of the musical , paintings may possess certain representational values ...
... values ; these belong to the lines and colors as such , with no reference to representation . This is beauty on the level of sensuous surface . Besides this factor of the musical , paintings may possess certain representational values ...
Stran 23
... values ; hence a painter who is able to express , without neglect of plastic values [ i.e. , the represen- tational values of nature ] , poetic and psychographic values as well , is a greater painter than one who expresses plastic values ...
... values ; hence a painter who is able to express , without neglect of plastic values [ i.e. , the represen- tational values of nature ] , poetic and psychographic values as well , is a greater painter than one who expresses plastic values ...
Stran 24
... values of line and color . Parker's criticism may apply to some formalists like Herbart , who took as the essence of ... values of space , light , motion , texture , and weight . To these , of course , they add line , color , volume ...
... values of line and color . Parker's criticism may apply to some formalists like Herbart , who took as the essence of ... values of space , light , motion , texture , and weight . To these , of course , they add line , color , volume ...
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Pogosti izrazi in povedi
A. C. Bradley abstract abstract art accept aesthetic experience aesthetic theory aestheticians analysis appreciation of art art object assertions attitude basic believe Bell and Fry Bell's Bertrand Russell Cézanne Cézanne's chap character characteristics Cleanth Brooks Clive Bell communication complex conception constituents contemplation criticism Cubism depth meanings Desdemona desire doctrine dramatic Ducasse Ducasse's El Greco Emilia emotionalist evaluation example expressive qualities fact Fascism feelings form and content formalism Fry's function Hanslick human experience I. A. Richards Ibid iconic ideas imaginative indulgence interpret italics in original John Hospers kind language line and color literature medium modern motion picture nature novel ordinary organic theory painting Parker Philosophy plastic elements poem poetry problem Prufrock psychological pure purism question rejected relation representation Richards Roger Fry satisfaction semantical sense significant form specific spectator symbolic art T. S. Eliot theme theory of appreciation thing tion transparent symbol values whole