Oliver Gold- smithGeorge P. Putnam, 1849 |
Iz vsebine knjige
Zadetki 1–5 od 53
Stran vi
... London . - A city night scene . Struggles with penury .-- Miseries of a tutor . - A doctor in the suburb . - Poor practice and second - hand finery . - A tragedy in embryo .-- Project of the written mountains , • 77 CHAPTER VII . Life ...
... London . - A city night scene . Struggles with penury .-- Miseries of a tutor . - A doctor in the suburb . - Poor practice and second - hand finery . - A tragedy in embryo .-- Project of the written mountains , • 77 CHAPTER VII . Life ...
Stran 53
... London , to enter on his studies at the Temple . Unfortu- nately , he fell in company at Dublin with a Roscommon acquaint- ance , one whose wits had been sharpened about town , who be- guiled him into a gambling - house , and soon left ...
... London , to enter on his studies at the Temple . Unfortu- nately , he fell in company at Dublin with a Roscommon acquaint- ance , one whose wits had been sharpened about town , who be- guiled him into a gambling - house , and soon left ...
Stran 57
... London , but the vessel put back through stress of weather . His return was unknown except to one of the believers in ghosts , who con- certed with him a trick to be played off on the opposite party . In the evening , at a meeting of ...
... London , but the vessel put back through stress of weather . His return was unknown except to one of the believers in ghosts , who con- certed with him a trick to be played off on the opposite party . In the evening , at a meeting of ...
Stran 73
... London pawnbroker , who had been suddenly elevated into fortune and absurdity by the death of an uncle . The youth , before setting up for a gentleman , had been an attor- ney's apprentice , and was an arrant pettifogger in money ...
... London pawnbroker , who had been suddenly elevated into fortune and absurdity by the death of an uncle . The youth , before setting up for a gentleman , had been an attor- ney's apprentice , and was an arrant pettifogger in money ...
Stran 74
Washington Irving. account when disposed of again in London ? Such curiosities on the way as could be seen for nothing , he was ready enough to look at ; but if the sight of them was to be paid for , he usually asserted that he had been ...
Washington Irving. account when disposed of again in London ? Such curiosities on the way as could be seen for nothing , he was ready enough to look at ; but if the sight of them was to be paid for , he usually asserted that he had been ...
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Pogosti izrazi in povedi
25 cents acquaintance amusement anecdote appeared ballad Ballymahon Beauclerc beautiful Bennet Langton bookseller Boswell Burke CHAPTER character cloth club Colman comedy conversation Covent Garden Cradock David Garrick dear delight dinner doctor essays fame Francis Newbery friends Garrick gave genius gentleman gilt give Gold Green Arbor guinea heart History honor Horneck humor Ireland Jessamy Bride Johnson kind lady Langton laugh learned letter Lissoy literary London Lord manner merits mind nature never Newbery Northumberland House occasion OLIVER GOLDSMITH person picture play poem poet poetical poetry poor Goldsmith pounds present purse replied river Inny royal 8vo Sir Joshua Reynolds society soon spirit style talent talk taste Temple thing thought tion told took town Traveller uncle Contarine University of Giessen Vicar of Wakefield whimsical William Filby writings young
Priljubljeni odlomki
Stran 366 - Here Reynolds is laid, and, to tell you my mind, He has not left a wiser or better behind ; His pencil was striking, resistless, and grand ; His manners were gentle, complying, and bland ; Still born to improve us in every part, His pencil our faces, his manners our heart...
Stran 43 - How often have I blest the coming day, When toil remitting lent its turn to play, And all the village train, from labour free, Led up their sports beneath the spreading tree, While many a pastime circled in the shade, The young contending as the old surveyed ; And many a gambol frolicked o'er the ground, And sleights of art and feats of strength went round.
Stran 21 - His house was known to all the vagrant train ; He chid their wanderings, but relieved their pain.
Stran 181 - Yet, notwithstanding this weight of authority, and the universal practice of former ages, a new species of dramatic composition has been introduced under the name of sentimental comedy, in which the virtues of private life are exhibited, rather than the vices exposed; and the distresses, rather than the faults of mankind, make our interest in the piece.
Stran 221 - To them his heart, his love, his griefs were given, But all his serious thoughts had rest in heaven. As some tall cliff that lifts its awful form, Swells from the vale, and midway leaves the storm, Though round its breast the rolling clouds are spread, Eternal sunshine settles on its head.
Stran 21 - Wept o'er his wounds or tales of sorrow done, Shouldered his crutch, and showed how fields were won. Pleased with his guests, the good man learned to glow, And quite forgot their vices in their woe ; Careless their merits or their faults to scan, His pity gave ere charity began.
Stran 159 - The wretch, condemn'd with life to part, Still, still on hope relies ; And every pang that rends the heart, Bids expectation rise. Hope, like the glimmering taper's light, Adorns and cheers the way ; And still, as darker grows the night, Emits a brighter ray.
Stran 247 - tis hard to combat, learns to fly! For him no wretches, born to work and weep, Explore the mine, or tempt the dangerous deep...
Stran 177 - She complied in a manner so exquisitely pathetic as moved me. When lovely woman stoops to folly, And finds too late that men betray ; What charm can sooth her melancholy, What art can wash her guilt away ? The only art her guilt to cover, To hide her shame from every eye, To give repentance to her lover, And wring his bosom — is to die.
Stran 231 - Will you not admit the superiority of Robertson, in whose History we find such penetration — such painting? " JOHNSON. " Sir, you must consider how that penetration and that painting are employed. It is not history, it is imagination. He who describes what he never saw, draws from fancy. Robertson paints minds as Sir Joshua paints faces in a history-piece: he imagines an heroic countenance.