Goldsmith's The Deserted Village: The Traveller; Gray's Elegy in a Country ChurchyardGinn and Company, 1916 - 86 strani |
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Zadetki 1–5 od 11
Stran xxiii
... couplet form in his Elegy in a Country Churchyard , printed in 1750 , as had Thomson ear- lier ; and Wordsworth and ... couplet to couplet , stopping somewhere within the line if the author wish ; and such was the handling of the ...
... couplet form in his Elegy in a Country Churchyard , printed in 1750 , as had Thomson ear- lier ; and Wordsworth and ... couplet to couplet , stopping somewhere within the line if the author wish ; and such was the handling of the ...
Stran xxiv
... couplets and Chaucer's would hardly be recognized as written in the same form . Pope's verse exhibits almost ... couplet , is the unit . Goldsmith's lines show , unlike Pope's , the influence of blank verse . It is , however , in ...
... couplets and Chaucer's would hardly be recognized as written in the same form . Pope's verse exhibits almost ... couplet , is the unit . Goldsmith's lines show , unlike Pope's , the influence of blank verse . It is , however , in ...
Stran xxv
... couplets or the didactic tone that gives The Deserted Village its permanent significance and accounts for the place which it has won in the popular heart rather are these derived from the grace and the tender feeling of the poem as a ...
... couplets or the didactic tone that gives The Deserted Village its permanent significance and accounts for the place which it has won in the popular heart rather are these derived from the grace and the tender feeling of the poem as a ...
Stran xxviii
... couplets is very regular . At times Goldsmith uses trochees instead of iambs ; but there are no alexandrines ( i.e. lines of six feet ) , there are no triplets , and there are few run - over lines . As regards style , the poems show the ...
... couplets is very regular . At times Goldsmith uses trochees instead of iambs ; but there are no alexandrines ( i.e. lines of six feet ) , there are no triplets , and there are few run - over lines . As regards style , the poems show the ...
Stran 38
... couplet , the standard verse form of the day , and employing the heroic quatrain , — that is , stanzas of four lines , in iambic pentameter , with alternating rhymes . The latter form was rarely employed when the Elegy appeared . The ...
... couplet , the standard verse form of the day , and employing the heroic quatrain , — that is , stanzas of four lines , in iambic pentameter , with alternating rhymes . The latter form was rarely employed when the Elegy appeared . The ...
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Goldsmith's the Deserted Village: The Traveller; Gray's Elegy in a Country ... Oliver Goldsmith,Thomas Gray,Louise Pound Predogled ni na voljo - 2017 |
Goldsmith's the Deserted Village: The Traveller; Gray's Elegy in a Country ... Oliver Goldsmith,Thomas Gray,Louise Pound Predogled ni na voljo - 2018 |
Goldsmith's the Deserted Village: Gray's Elegy in a Country Churchyard ... Louise Pound Predogled ni na voljo - 2015 |
Pogosti izrazi in povedi
Amidst Auburn bittern blank verse blest bliss boast Boswell breast brother Carinthia Chapter charms cheerful church classical climes COUNTRY CHURCHYARD couplet death dedicated Deserted Village edition read eighteenth century Elegy England English epithet Essays Eton Eton College fame father Goldsmith's day Gray Gray's happiness heart heroic couplet History human humble iambic pentameter Italy Johnson joys kings land Letter lines Lissoy literary lived London Lord LOUISE POUND luxury Macaulay manner mansion Milton mind mother o'er OLIVER GOLDSMITH pain Pambamarca participle passage perhaps pleasing pleasure poet poet's poetical poetry pomp poor Pope pounds praise pride prose published readers reign rhyme rich round Samuel Johnson scene Selections smiling soul stanza Stoke Stoke Poges swain sweet taught Thomas Gray thou toil Tornea Traveller verse Vicar of Wakefield wandering wealth Wendell Phillips Garrison wish word writing written wrote
Priljubljeni odlomki
Stran 47 - customed hill, Along the heath and near his favourite tree; Another came; nor yet beside the rill, Nor up the lawn, nor at the wood was he : The next with dirges due in sad array Slow through the church-way path we saw him borne. Approach and read (for thou canst read) the lay, Graved on the stone beneath yon aged thorn.
Stran 13 - Even now, methinks, as pondering here I stand I see the rural virtues leave the land. Down where yon anchoring vessel spreads the sail, That idly waiting flaps with every gale, Downward they move, a melancholy band, Pass from the shore and darken all the strand. Contented toil and hospitable care, And kind connubial tenderness are there; And piety, with wishes placed above, And steady loyalty and faithful love.
Stran 7 - Yet he was kind, or, if severe in aught, The love he bore to learning was in fault. The village all declared how much he knew; 'Twas certain he could write, and cipher too...
Stran 5 - The swain responsive as the milkmaid sung, The sober herd that lowed to meet their young, The noisy geese that gabbled o'er the pool, The playful children just let loose from school , The watchdog's voice that bayed the whispering wind, And the loud laugh that spoke the vacant mind, — These all in sweet confusion sought the shade And filled each pause the nightingale had made.
Stran 7 - To them his heart, his love, his griefs, were given, But all his serious thoughts had rest in heaven, As some tall cliff that lifts its awful form, Swells from the vale and midway leaves the storm ; Though round its breast the rolling clouds are spread, • Eternal sunshine settles on its head.
Stran xviii - I perceived that he had already changed my guinea, and had got a bottle of Madeira and a glass before him. I put the cork into the bottle, desired he would be calm, and began to talk to him of the means by which he might be extricated.
Stran 46 - Muse, The place of fame and elegy supply : And many a holy text around she strews That teach the rustic moralist to die.
Stran 19 - The shuddering tenant of the frigid zone Boldly proclaims that happiest spot his own : Extols the treasures of his stormy seas, And his long nights of revelry and ease ; The naked negro, panting at the line, Boasts of his golden sands and palmy wine ; Basks in the glare, or stems the tepid wave, And thanks his gods for all the good they gave. Such is the patriot's boast, where'er we roam ; His first, best country ever is at home...
Stran 9 - Thither no more the peasant shall repair To sweet oblivion of his daily care; No more the farmer's news, the barber's tale; No more the woodman's ballad shall prevail; No more the smith his dusky brow shall clear, Relax his ponderous strength, and lean to hear; The host himself no longer shall be found Careful to see the mantling bliss go round; Nor the coy maid, half willing to be prest, Shall kiss the cup to pass it to the rest.
Stran 44 - Where through the long-drawn aisle and fretted vault The pealing anthem swells the note of praise.