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1738]

HIS POEM, LONDON

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This extraordinary person was as remarkable for his learning and taste, as for his other eminent qualities; and no man was more prompt, active, and generous, in encouraging merit. I have heard Johnson gratefully acknowledge, in his presence, the kind and effectual support which he gave to his London, though unacquainted with its authour.

Pope, who then filled the poetical throne without a rival, it may reasonably be presumed, must have been particularly struck by the sudden appearance of such a poet; and, to his credit, let it be remembered, that his feelings and conduct on the occasion were candid and liberal. He requested Mr. Richardson, son of the painter, to endeavour to find out who this new authour was. Mr. Richardson, after some inquiry, having informed him that he had discovered only that his name was Johnson, and that he was some obscure man, Pope said, 'he will soon be déterré.' We shall presently see, from a note written by Pope, that he was himself afterwards more successful in his inquiries than his friend.

While we admire the poetical excellence of this poem, candour obliges us to allow, that the flame of patriotism and zeal for popular resistance with which it is fraught, had no just cause. There was, in truth, no 'oppression;' the 'nation' was not 'cheated.' Sir Robert Walpole was a wise and a benevolent minister, who thought that the happiness and prosperity of a commercial country like ours, would be best promoted by peace, which he accordingly maintained, with credit, during a very long period. Johnson himself afterwards honestly acknowledged the merit of Walpole, whom he called 'a fixed star;' while he characterised his opponent, Pitt, as 'a meteor.' But Johnson's juvenile poem was naturally impregnated with the fire of opposition, and upon every account was universally admired.

Though thus elevated into fame, and conscious of uncommon powers, he had not that bustling confidence, or, I may rather say, that animated ambition, which one might have supposed would have urged him to endeavour at rising in life. But such was his inflexible dignity of character, that he could not stoop to court the great; without which, hardly any man has made his way to a high station. He could not

expect to produce many such works as his London, and he felt the hardships of writing for bread; he was, therefore, willing to resume the office of a schoolmaster, so as to have a sure, though moderate income for his life; and an offer being made to him of the mastership of a school, provided he could obtain the degree of Master of Arts, Dr. Adams was applied to, by a common friend, to know whether that could be granted him as a favour from the University of Oxford. But though he had made such a figure in the literary world, it was then thought too great a favour to be asked.

Pope, without any knowledge of him but from his London, recommended him to Earl Gower, who endeavoured to procure for him a degree from Dublin.

It was, perhaps, no small disappointment to Johnson that this respectable application had not the desired effect; yet how much reason has there been, both for himself and his country, to rejoice that it did not succeed, as he might probably have wasted in obscurity those hours in which he afterwards produced his incomparable works.

About this time he made one other effort to emancipate himself from the drudgery of authourship. He applied to Dr. Adams, to consult Dr. Smalbroke of the Commons, whether a person might be permitted to practice as an advocate there, without a doctor's degree in Civil Law. 'I am (said he) a total stranger to these studies; but whatever is a profession, and maintains numbers, must be within the reach of common abilities, and some degree of industry.' Dr. Adams was much pleased with Johnson's design to employ his talents in that manner, being confident he would have attained to great eminence.

As Mr. Pope's note concerning Johnson, alluded to in a former page, refers both to his London, and his Marmor Norfolciense, I have deferred inserting it till now. I am in'debted for it to Dr. Percy, the Bishop of Dromore, who permitted me to copy it from the original in his possession. It was presented to his Lordship by Sir Joshua Reynolds, to whom it was given by the son of Mr. Richardson the painter, the person to whom it is addressed. I have transcribed it

1739]

JOHNSON'S TRICKS OF BODY

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with minute exactness, that the peculiar mode of writing, and imperfect spelling of that celebrated poet, may be exhibited to the curious in literature. It justifies Swift's epithet of 'paper-sparing Pope,' for it is written on a slip no larger than a common message-card, and was sent to Mr. Richardson, along with the Imitation of Juvenal.

"This is imitated by one Johnson who put in for a Publickschool in Shropshire, but was disappointed. He has an infirmity of the convulsive kind, that attacks him sometimes, so as to make him a sad Spectacle. Mr. P. from the Merit

of this Work which was all the knowledge he had of him endeavour'd to serve him without his own application; & wrote to my Ld gore, but he did not succeed. Mr. Johnson published afterwds another Poem in Latin with Notes the whole very Humerous call'd the Norfolk Prophecy.

P.'

Johnson had been told of this note; and Sir Joshua Reynolds informed him of the compliment which it contained, but, from delicacy, avoided shewing him the paper itself. When Sir Joshua observed to Johnson that he seemed very desirous to see Pope's note, he answered, 'Who would not be proud to have such a man as Pope so solicitous in inquiring about him?'

The infirmity to which Mr. Pope alludes, appeared to me also, as I have elsewhere observed, to be of the convulsive kind, and of the nature of that distemper called St. Vitus's dance; and in this opinion I am confirmed by the description which Sydenham gives of that disease. 'This disorder is a kind of convulsion. It manifests itself by halting or unsteadiness of one of the legs, which the patient draws after him like an ideot. If the hand of the same side be applied to the breast, or any other part of the body, he cannot keep it a moment in the same posture, but it will be drawn into a different one by a convulsion, notwithstanding all his efforts to the contrary.' Sir Joshua Reynolds, however, was of a different opinion, and favoured me with the following paper. 'Those motions or tricks of Dr. Johnson are improperly called convulsions. He could sit motionless, when he was told so to do, as well as any other man; my opinion is that it

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proceeded from a habit which he had indulged himself in, of accompanying his thoughts with certain untoward actions, and those actions always appeared to me as if they were meant to reprobate some part of his past conduct. Whenever he was not engaged in conversation, such thoughts were sure to rush into his mind; and, for this reason, any company, any employment whatever, he preferred to being alone. The great business of his life (he said) was to escape from himself; this disposition he considered as the disease of his mind, which nothing cured but company.

'One instance of his absence and particularity, as it is characteristick of the man, may be worth relating. When he and I took a journey together into the West, we visited the late Mr. Banks, of Dorsetshire; the conversation turning upon pictures, which Johnson could not well see, he retired to a corner of the room, stretching out his right leg as far as he could reach before him, then bringing up his left leg, and stretching his right still further on. The old gentleman observing him, went up to him, and in a very courteous manner assured him, that though it was not a new house, the flooring was perfectly safe. The Doctor started from his reverie, like a person waked out of his sleep, but spoke not a word.'

While we are on this subject, my readers may not be displeased with another anecdote, communicated to me by the same friend, from the relation of Mr. Hogarth.

Johnson used to be a pretty frequent visitor at the house of Mr. Richardson, authour of Clarissa, and other novels of extensive reputation. Mr. Hogarth came one day to see Richardson, soon after the execution of Dr. Cameron, for having taken arms for the house of Stuart in 1745-6; and being a warm partisan of George the Second, he observed to Richardson, that certainly there must have been some very unfavourable circumstances lately discovered in this particular case, which had induced the King to approve of an execution for rebellion so long after the time when it was committed, as this had the appearance of putting a man to death in cold blood, and was very unlike his Majesty's usual clemency. While he was talking, he perceived a person

1740]

EPITAPH ON PHILIPS

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standing at a window in the room, shaking his head, and rolling himself about in a strange ridiculous manner. He concluded that he was an ideot, whom his relations had put under the care of Mr. Richardson, as a very good man. To his great surprize, however, this figure stalked forwards to where he and Mr. Richardson were sitting, and all at once took up the argument, and burst out into an invective against George the Second, as one, who, upon all occasions, was unrelenting and barbarous; mentioning many instances, particularly, that when an officer of high rank had been acquitted by a Court Martial, George the Second had with his own hand, struck his name off the list. In short, he displayed such a power of eloquence, that Hogarth looked at him with astonishment, and actually imagined that this ideot had been at the moment inspired. Neither Hogarth nor Johnson were made known to each other at this interview.

1740: ÆTAT. 31.]-IN 1740 he wrote for the Gentleman's Magazine the 'Preface,' 'Life of Sir Francis Drake,' and the first parts of those of 'Admiral Blake,' and of 'Philip Baretier,' both which he finished the following year. He also wrote an 'Essay on Epitaphs,' and an 'Epitaph on Philips, a Musician,' which was afterwards published with some other pieces of his, in Mrs. Williams's Miscellanies. This Epitaph is so exquisitely beautiful, that I remember even Lord Kames, strangely prejudiced as he was against Dr. Johnson, was compelled to allow it very high praise. It has been ascribed to Mr. Garrick, from its appearing at first with the signature G; but I have heard Mr. Garrick declare, that it was written by Dr. Johnson, and give the following account of the manner in which it was composed. Johnson and he were sitting together; when, amongst other things, Garrick repeated an Epitaph upon this Philips by a Dr. Wilkes, in these words:

'Exalted soul! whose harmony could please
The love-sick virgin, and the gouty ease;
Could jarring discord, like Amphion, move
To beauteous order and harmonious love;
Rest here in peace, till angels bid thee rise,
And meet thy blessed Saviour in the skies.'

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