the whole of Marlborough's career, which caused his turnings and windings, his opportune fidelity and treason, stopped his army almost at Paris gate, and landed him finally on the Hanoverian side-the winning side I get, I say, no truth, or only a portion of it, in the narrative of either writer, and believe that Coxe's portrait, or Swift's portrait, is quite unlike the real Churchill. I take this as a single instance, prepared to be as sceptical about any other, and say to the Muse of History; "O venerable daughter of Mnemosyne, I doubt every single statement you ever made since your ladyship was a Muse! For all your grave airs and high pretensions, you are not a whit more trustworthy than some of your lighter sisters on whom your partisans look down. You bid me listen to a general's oration to his soldiers: Nonsense! He no more made it than Turpin made his dying speech at Newgate. You pronounce a panegyric of a hero: I doubt it, and say you flatter outrageously. You utter the condemnation of a loose character: I doubt it, and think you are prejudiced and take the side of the Dons. You offer me an autobiography I doubt all autobiographies I ever read; except those, perhaps, of Mr. Robinson Crusoe, Mariner, and writers of his class. These have no object in setting themselves right with the public or their own consciences; these have no motive for concealment or halftruths; these call for no more confidence than I can cheerfully give, and do not force me to tax my credulity or to fortify it by evidence. I take up a volume of Dr. Smollett, or a volume of the Spectator, and say the fiction carries a greater amount of truth in solution than the volume which purports to be all true. Out of the fictitious book I get the expression of the life of the time; of the manners, of the movement, the dress, the pleasures, the laughter, the ridicules of society-the old times live again, and I travel in the old country of England. Can the heaviest historian do more for me?" As we read in these delightful volumes of the Tatler and Spectator the past age returns, the England of our ancestors is revivified. The Maypole rises in the Strand again in London; the churches are thronged with daily worshippers; the beaux are gather ing in the coffee-houses; the gentry are going to the Drawing-room; the ladies are thronging to the toy-shops; the chairmen are jostling in the streets; the footmen are running with links before the chariots, or fighting round the theatre doors. In the country I see the young Squire riding to Eton with his servants behind him, and Will Wimble, the friend of the family, to see him safe. To make that journey from the Squire's and back, Will is a week on horseback. The coach takes five days between London and Bath. The judges and the bar ride the circuit. If my lady comes to town in her post-chariot, her people carry pistols to fire a salute on Captain Macheath if he should appear, and her couriers ride ahead to prepare apartments for her at the great caravanserais on the road; Boniface receives her under the creaking sign of the "Bell" or the "Ram," and he and his chamber. lains bow her up the great stair to the state-apartments, whilst her carriage rumbles into the court-yard, where the " Exeter Fly" is housed that performs the journey in eight days, God willing, having achieved its daily flight of twenty miles, and landed its passengers for supper and sleep. The curate is taking his pipe in the kitchen, where the Captain's man-having hung up his master's half pike-is at his bacon and eggs, bragging of Ramillies and Malplaquet to the town'sfolk, who have their club in the chimney-corner. The Captain is ogling the chambermaid in the wooden gallery, or bribing her to know who is the pretty young mistress that has come in the coach. The pack-horses are in the great stable, and the drivers and ostlers carousing in the tap. And in Mrs. Landlady's bar, over a glass of strong waters, sits a gentleman of military appearance, who travels with pistols, as all the rest of the world does, and has a rattling grey mare in the stables which will be saddled and away with its owner half an hour before the "Fly" sets out on its last day's flight. And some five miles on the road, as the "Exeter Fly" comes jingling and creaking onwards, it will suddenly be brought to a halt by a gentle man on a grey mare, with a black vizard on his face, who thrusts a long pistol into the coach window, and bids the company to hand out their purses. It must have been no small pleasure even to sit in the great kitchen in those days, and see the tide of humankind pass by. We arrive at places now, but we travel no more. Addison talks jocularly of a difference of manner and costume being quite perceivable at Staines, where there passed a young fellow "with a very tolerable periwig," though, to be sure, his hat was out of fashion, and had a Ramillies cock. I would have liked to travel in those days (being of that class of travellers who are proverbially pretty easy coram latronibus) and have seen my friend with the grey mare and the black vizard. Alas! there always came a day in the life of that warrior when it was the fashion to accompany him as he passed— without his black mask, and with a nosegay in his hand, accompanied by halberdiers and attended by the sheriff,-in a carriage without springs, and a clergyman jolting beside him, to a spot close by Cumberland Gate and the Marble Arch, where a stone still records that here Tyburn turnpike stood. What a change in a century; in a few years! Within a few yards of that gate the fields began: the fields of his exploits, behind the hedges of which he lurked and robbed. A great and wealthy city has grown over those meadows. Were a man brought to die there now, the windows would be closed and the inhabitants keep their houses in sickening horror. A hundred years back, people crowded to see that last act of a highwayman's life, and make jokes on it. Swift laughed at him, grimly advising him to provide a Holland shirt and white cap crowned with a crimson or black ribbon for his exit, to mount the cart cheerfully-shake hands with the hangman, and so-farewell. Gay wrote the most delightful ballads, and made merry over the same hero. Contrast these with the writings of our present humourists! Compare those morals and ours-those manners and ours! We can't tell-you would not bear to be told the whole truth regarding those men and manners. You could no more suffer in a British drawing-room, under the reign of Queen Victoria, a fine gentleman or fine lady of Queen Anne's time, or hear what they heard and said, than you would receive an ancient Briton. It is as one reads about savages, that one contemplates the wild ways, the |