ALEXANDER BROME. [Born, 1620. Died, 1666.] ALEXANDER BROME was an attorney in the Lord Mayor's Court. From a verse in one of his poems, it would seem that he had been sent once in the civil war, (by compulsion no doubt,) on the parliament side, but had stayed only three days, and never fought against the king and the cavaliers. He was in truth a strenuous loyalist, and the bacchanalian songster of his party. Most of the songs and epigrams that were published against the Rump have been ascribed to him. He had, besides, a share in the translation of Horace, with Fanshawe, Holiday, Cowley, and others, and published a single comedy, the Cun ning Lovers, which was acted in 1651, at the private house in Drury. There is a playful variety in his metre, that probably had a better effect in song than in reading. His thoughts on love and the bottle have at least the merit of being decently jovial, though he arrays the trite arguments of convivial invitation in few original images. In studying the traits and complexion of a past age, amusement, if not illustration, will often be found from the ordinary effusions of party ridicule. In this view, the Diurnal, and other political satires of Brome, have an extrinsic value as contemporary caricatures. THE RESOLVE. TELL me not of a face that's fair, That like an angel sings; The glories of your ladies be Each common object brings. Roses out-red their lips and cheeks, Lilies their whiteness stain: What fool is he that shadows seeks, And may the substance gain! Then if thou 'lt have me love a lass, Let it be one that's kind, Else I'm a servant to the glass That's with Canary lined. ON CANARY. Of all the rare juices That Bacchus or Ceres produces, That a fancy infuses; And next the nine Muses: "Twas this made old poets so sprightly to sing, And fill all the world with the glory and fame on't; They Helicon call'd it, and the Thespian spring, But this was the drink, though they knew not the name on't. Our cider and perry May make a man mad, but not merry ; And your hops, yeast, and malt, It stuffs up our brains with froth and with yest, These liquors won't raise, but drown, and o'erwhelm man. Our drowsy metheglin Was only ordained to inveigle in The novice that knows not to drink yet, Have a gunpowder fury; But they won't long endure you. The bagrag and Rhenish You must with ingredients replenish; 'Tis a wine to please ladies and toys with; But 'tis sack makes the sport, In his high-shoes he'll have her; "Tis this that advances the drinker and drawer: Though the father came to town in his hobnails and leather, He turns it to velvet, and brings up an heir, In the town in his chain, in the field with his feather. [* What is "Divine" has much of the essence of poetry; that which is human, of the frailty of the flesh. Some are playfully pastoral, some sweetly Anacreontic, some in the higher key of religion, others lasciviously wanton and unclean. The whole collection seems to have passed into oblivion till about the year 1796, and since then we have had a separate volume of selections, and two complete reprints. His several excellences have preserved his many indecencies, the divinity of his verse (poetically speaking) the dunghill of his obscener moods. Southey, Each virgin like a Spring Like unthrifts, having spent Your stock, and needy grown, Ye're left here to lament Your poor estates alone. admitting the perennial beauty of many of his poems, has styled him, not with too much severity, "a coarseminded and beastly writer." Jones' Attempts in Verse, p. 85; see also Quar. Rev. vol. iv. p. 171.-C.] [The last and best edition of Herrick was published by H. G. Clarke, London, 1844, in two volumes. The life of Herrick, we are inclined to think, was as licentious as his verse, and both disgraced the church and served well to round the periods of Puritan lamentations and anathemas.-G.] SONG. GATHER ye rose-buds, while ye may, Old Time is still a flying; The glorious lamp of heaven, the sun, The age is best which is the first, When youth and blood are warmer; But being spent, the worse and worst Times still succeed the former. Then be not coy, but use your time, And, whilst ye may, go marry; For having lost but once your prime, You may for ever tarry. FAIR pledges of a fruitful tree, But you may stay yet here awhile, What, were ye born to be An hour or half's delight, But you are lovely leaves, where we May read how soon things have Their end, though ne'er so brave: And after they have shown their pride, Like you, awhile, they glide Into the grave. THE COUNTRY LIFE. SWEET country life, to such unknown To bring from thence the scorched clove: Is the wise master's feet and hands. There at the plough thou find'st thy team, With a hind whistling there to them; These seen, thou go'st to view thy flocks Of short sweet grass, as backs with wool; For sports, for pageantry, and plays, On which the young men and maids meet, And trace the hare in the treacherous snow; LITANY TO THE HOLY SPIRIT. IN the hour of my distress, Sweet Spirit, comfort me. When I lie within my bed, Sweet Spirit, comfort me. When the house doth sigh and weep, When the passing-bell doth toll, When God knows I'm tossed about, Sweet Spirit, comfort me. When the tapers now burn blue, When the priest his last hath prayed, Sweet Spirit, comfort me. When the tempter me pursueth When the flames and hellish cries Sweet Spirit, comfort me. When the judgment is revealed, ABRAHAM COWLEY. (Born, 1618. Died, 1667.] ABRAHAM COWLEY was the posthumous son of a grocer in London. His mother, though left a poor widow, found means to get him educated at Westminster School, and he obtained a scholarship at Cambridge. Before leaving the former seminary, he published his Poetical Blossoms. He wrote verses while yet a child; and amidst his best poetry as well as his worst, in his touching and tender as well as extravagant passages, there is always something that reminds us of childhood in Cowley. From Cambridge he was ejected in 1643, for his loyalty; after a short retirement, he was induced by his principles to follow the queen to Paris, as secretary to the Earl of St. Albans, and during an absence of ten years from his native country, was employed in confidential journeys for his party, and in deciphering the royal correspondence. The object of his return to England, in 1656, I am disposed to think, is misrepresented by his biographers; they tell us that he came over under pretence of privacy, to give notice of the posture of affairs. Cowley came home indeed, and published an edition of his poems, in the preface to which he decidedly declares himself a quietist under the existing government, abjures the idea of all political hostility, and tells us that he had not only abstained from printing, but had burnt the very copies of his verses that alluded to the civil wars. "The enmities of fellow-citizens," he continues, "should be like those of lovers, the redintegration of their amity." If Cowley employed this language to make his privacy the deeper pretence for giving secret intelligence, his office may be worthily named that of a spy; but the manliness and placidity of his character render it much more probable that he was sincere in those declarations; nor were his studious pursuits, which were chiefly botanical, well calculated for political intrigue. He took a doctor's degree, but never practised, and was one of the earliest members of the philosophical society. While Butler's satire was unworthily employed in ridiculing the infancy of that institution, Cowley's wit took a more than ordinary stretch of perversion in the good intention of commending it. Speaking of Bacon, he calls him the mighty man, Whom a wise king and nature chose At his first arrival in England he had been imprisoned, and obliged to find bail to a great amount. On the death of Cromwell, he considered himself at liberty, and went to France, where he stopped till the Restoration. At that event, when men who had fought under Cromwell were rewarded for coming over to Charles II., Cowley was denied the mastership of the Savoy on pretence of his disloyalty, and the Lord Chancellor told him that his pardon was his reward. The sum of his offence was, that he had lived peaceably under the usurping government, though without having published a word, even in his amiable and pacific preface, that committed his principles. But an absurd idea prevailed that his Cutter of Coleman-street was a satire on his party, and he had published an ode to Brutus! It is impossible to contrast this injured honesty of Cowley with the successful profligacy of Waller and Dryden, and not to be struck with the all-prevailing power of impudence. In such circumstances, it is little to be wondered at that Cowley should have sighed for retirement, and been ready to accept of it even in the deserts of America. Misanthropy, as far as so gentle a nature could cherish it, naturally strengthened his love of retirement, and increased that passion for a country life which breathes in the fancy of his poetry, and in the eloquence of his prose. By the influence of Buckingham and St. Albans, he at last obtained a competence of about 300l. a year from a lease of the queen's lands, which enabled him to retire, first to Barnes Elms, and afterwards to Chertsey, on the Thames. But his health was now declining, and he did not long experience either the sweets or inconvenience of rustication. died, according to Dr. Sprat, in consequence of exposing himself to cold one evening that he stayed late among his labourers. Another account ascribes his death to being benighted in the fields, after having spent too convivial an evening with the same Dr. Sprat.* He THE CHRONICLE, A BALLAD.† But when a while the wanton maid Martha soon did it resign ["Cowley is a writer of great sense, ingenuity, and learning," says Hazlitt, "but as a poet his fancy is quaint, far-fetched and mechanical." The same critic, however, says of his Anacreontics, that they are perfect, breathing "the very spirit of love and wine."-G.] ft"The Chronicle" is a composition unrivalled and alone: such gayety of fancy, such facility of expression, Alternately they sway'd, And sometimes Mary was the fair, And sometimes Anne the crown did wear, One month, three days, and half an hour, But so weak and small her wit, such varied similitude, such a succession of images, and such a dance of words, it is in vain to expect except from Cowley. To such a performance, Suckling could have brought the gayety, but not the knowledge; Dryden could have supplied the knowledge, but not the gayety. -JOHNSON.] |