LUDICROUS POEMS, continued. The Birth of the Squire. Gay, 403. A Public Breakfast at Bath. Anstey, 728, 729. LYDGATE (John), notice of, 78. Specimens of his poetry, 78. LYLY (John), notice of, 31, 44, 120. Specimens of his poems, 86-88. LYTTELTON (George, Lord), specimen of, 559, 560. MACKENZIE (Henry), supplemental lines to Collins, Madrigal, Rosalind's. Lodge, 149. Maid, good counsel to a young. Carew 215. Ballad and Song by, 509, 510. Mankind, ode to. Earl Nugent, 644. Mannyng (Robert), commonly called De Brunne, 9. Specimen of his poetry, 103. Specimens of his poetry, 187-189. Critical remarks on his productions, 44. Mason (Mrs.), epitaph on. Mason, 695. Matches, few happy. Dr. Watts, 459. Specimen of, 252. Specimen of, 440, 441. Metaphysical Poets. Davies and Brooke, 42. MICKLE (Wm. Julius), notice of, 646–648. MIDDLETON (Thomas), notice of, 196. Remark on his witches, 49, note. MILTON (John), notice of, 309, 310. How far he was indebted to Sylvester's trans- Critical remarks on his poetical works, 52–54. His obligations to Langlande, 16. Mirror for Magistrates gave hints to Spenser and Intention of, 96, note. Misery, personification of. Tho. Sackville, 96. Montague (Mr. W.), verses on his return from travel. MOORE (Edward), notice of, 479. Specimens of, 479, 480. MOORE (Sir J. H.), specimens of, 603. The Soul's Errand. Anon., 116. A Valediction. Cartwright, 241. Power of Genius over Envy. W. Browne, 245. The Inquiry. Kath. Philips, 265. Character of a true friend. The same, 265. The Wish. Merrick, 523. On Education. Gray, 548. On Vicissitude. The same, 549. London. Dr. Johnson, 611. The Vanity of Human Wishes. The same, 614. On the death of Dr. Robert Levett. The same, MORE (Dr. Henry), notice of, 348. Specimen of, 348, 349. Morning Star, address to. J. Hall, 257. Mortimer, Earl of March, surprised by Edward III. Mothers, persuasion to, to suckle their own children. Darwin, 719. Mother, lines on the picture of his. Cowper, 716. NABBES (Thomas), specimen of, 251. Specimen of his poems, 123. Nature, successive appearances of, during a sum- NICCOLS (Richard), notice of, 200. Specimens of his Poems, 200, 201. Sonnet to. Milton, 310. Norman Conquest, influence of, on the English lan- State of Norman Poetry in the eleventh and NUGENT (Robert Nugent, Earl), notice of, 643. Goldsmith's Haunch of Venison, addressed to, Nut-Brown Maid, the beautiful ballad of, 22. OCCLEVE, a versifier of the fifteenth century, notice ODES. The Lover's Complaint. Sir T. Wyat, 90. To his coy Love. Drayton, 177. To the Memory of Mrs. Killigrew. Dryden, 358. On Providence. Addison, 388. ODES, continued. On Retirement. T. Warton, 446. An American love-ode. The same, 446. To Evening. Collins, 175. On the popular superstitions of the Highlands The Discovery. Moore, 479. To a Great Number of Great Men, newly made. On Rural Elegance. Shenstone, 497. To Memory. The same, 497. On an Eagle confined in a college court. Smart, POPE (Alexander), notice of, 423; alluded to, 619; Bruce to his Men at Bannockburn. Burns, To Fancy. J. Warton, 700. Old Age, personification of. Tho. Sackville, 96. Character of his Plays, 55. OVERBURY (Sir Thomas), notice of, 131. Specimen of his poems, 131. Owen of Carron, a Tale. Langhorne, 595. PAGEANTS, influence of, on the literature of England, Quin, character of. Churchill, 502. RALEIGH (Sir Walter), notice of, 38, 140. Specimens of his Poems, 140-142. RAMSAY (Allan), notices of, 482-484. Specimens of, 485-487. Ramsay (Allan), the Painter, whimsical Poem by, 483, note. RANDOLPH (Thomas), notice of, 44, 191. Extracts from, 192–194. Rape of the Lock. Pope, 424-430. Reason, influence of. T. Scott, 563. Reformation, influence of, on the literature of Eng- Retirement, an ode. T. Warton, 446. Religion, address to. Sylvester, 142. Remorse, description of. Tho. Sackville, 96. Reynolds's (Sir Joshua), painted window, at Oxford, ROBERT DE BRUNNE, an early English poet, notice Character and style of his productions, 11. Robert (Duke of Normandy), description of. Nic- ROBERTS (Wm. Hayward), notice of, 664. ROCHESTER (John Wilmot, Earl of), notice and spe- ROLLE (Richard), a poet of the fourteenth century, Romances, early English, probable date of, 12. Rosamond, the death of, described. May, 252. ROWE (Nicholas), specimens of, 381-383; his in- ROWLANDS (Samuel), notice of, 181. Specimens of his Poems, 181, 182. Royal George, verses on the loss of the. Cowper, 713. Rump (The), a collection of Poems, extract from, Rural Elegance, ode on. Shenstone, 497. Sonnets by, 641. SACKVILLE (Thomas, Baron Buckhurst, and Earl of Dorset), notice of, 95. And on his tragedy of Gorboduc, 29. SACKVILLE (Charles, Earl of), notice of, 366. SACRED POEMS. The Quip. George Herbert, 185. Business. The same, 185. Peace. The same, 186. Matins. The same, 186. The Collar. The same, 186. A Meditation. Sir H. Wotton, 216. An Emblem. The same, 243. Litany to the Holy Spirit. Herrick, 286. The Wreath. (To the Redeemer.) The same, 356. Piety, or the Vision. The same, 379. Speeches of his Father and of the Chorus, on SANDYS (George), notice of, 241. Specimens of, 241, 242. Extracts from, 733. Sappho, translations of. A. Philips, 458, 459. SATIRES. Extracts from various. Bp. Hall, 125-128. The Man of Taste. Bramston, 437. The Love of Praise. Young, 516. The Wedded Wit. The same, 517. The Astronomical Lady. The same, 517. On Nash's picture at full length, between the Heroic Epistle to Sir William Chambers. Ma- Satire, probable date of, in the English language, 8. The Thales of Johnson's London, 611, note, Schlegel on the unities of the drama, 34. Scholar, despair of a poor one described. Nash, Chaucer and Dryden, 66. Swift, 431. Chatterton, 540-542. Smollett, 555. Johnson, 611. Mickle, 646. His edition of Sir Tristrem, 12, 13. Beaumont and Fletcher, 49. Otway, 55. Dryden's Virgil, 56. Absalom, 57. Dryden characterized, 57. An erroneous opinion formed of Milton by, SCOTTISH POETS, general observations on, 79, 80. 48. SHAW (Cuthbert), notice of, 552. Specimen of, 552, 553. SHENSTONE (William), notice of, 491, 492. Specimens of his poems, 492. Shepherd, the Stedfast. Wither, 302. Shepherd's Address to his Love. Marlowe, 103. Life, Happiness of. Phin. Fletcher, 146. Resolution. The same, 301. Sheridan, character of. Churchill, 502. Shipwreck, The, extracts from. Falconer, 525–530. SHIRLEY (James), notice of, 268. Extracts from, 268-251. Critical observations on them, 49-51. Specimens of his poems, 545. Solitude. Cowley, 291. Ode to. Grainger, 521. SUCKLING (Sir John), notice of, 238. Specimens of, 238, 239. SURREY (Earl of). See Howard. Specimens of his poems, 101, 102. Specimens of his poems, 142. Inquiry how far Milton was indebted to his Specimen of Sylvester's version, 41. His right to the Soul's Errand, 116. TALES. Prologue to the Canterbury Tales. Chaucer, 69. Love and Folly. A. Selden, 461–469. Variety. W. Whitehead, 623. Syr Martyn. Mickle, 648. The Twa Dogs. Burns, 676. THOMPSON (Capt. Edward), notice of, 638. THOMSON (James), notice of, 449. Imitation of, by I. H. Browne, 489. Compared with Cowper, 708, 709. Time, swiftness of. Gascoigne, 100. Turner (Sharon), his History of the Anglo-Saxons referred to, 5. Vanity of Human Knowledge. Sir J. Davies, 162. Specimens of his poems, 94. Venus, hymn to. A. Philips, 458. And Adonis. William Browne, 246. VERE (Edward, Earl of Oxford), 123. Specimens of his poems, 123, 124. Verse, translated, observations on. Roscommon, 331. Virgil, translated by Phaer, strictures on, 40. Specimen of that version, 40, note. Critical remarks on, with specimens of Dryden's WHITEHEAD (Paul), notice of, 576. Hunting Song by, 577. WHITEHEAD (William), notice of, 619-622. WHYTE (James), specimen of, 665. Wife, qualities of one. Sir T. Overbury, 131. Lord Lyttelton, 559. Verses to, with a ring. The same, 674. WILLIAMS (Sir Charles Hanbury), specimen of, 487. munda, 30. WILMOT. See ROCHESTER (Earl of). Winchelsea (Lady), her genius for descriptive poetry, WITHER (George), notice of, 38, 299. Specimens of, 299-302. Wolsey (Cardinal), verses on. Storer, 124. Women, verses on. Vere, 123. The praise of. Randolph, 193. Wordsworth (William), note by, on Dryden's genius, 55. On Dryden and Pope's descriptive powers, 61. YARDLEY OAK, description of. Cowper, 714. Specimens of his poems, 512-517. THE END. STEREOTYPED BY L. JOHNSON AND CO., |