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RICHARD EDWARDS....
He requesteth some friendly Comfort, affirming his Constancy.
WILLIAM HUNNIS.......
The Love that is requited with Disdain........
THOMAS SACKVILLE, BARON BUCKHURST AND EARL OF DORSET..........
From his Induction to the Complaint of Henry Duke of Buckingham.........
GEORGE GASCOIGNE..
95
.......................
96
98
Verses on a most stony-hearted Maiden, who did sorely beguile the noble Knight, my
true Friend.........
100
The Nymphs to their May Queen (from "England's Helicon").............
Sonnet..........
EDMUND SPENSER.........
104
105
Sir Guyon, guided by the Palmer Temperance, passes the Dangers of the Bower of Bliss 111
Glauce and Britomart exploring the Cave of Merlin..........
114
Belphoebe finds Timias wounded, and conveys him to her Dwelling (Book III. Canto V.).. 114
Sonnet LXXXVI......
116
Sonnet. LXXXVIII..........................
POETRY OF UNCERTAIN AUTHORS OF THE END OF THE SIXTEENTH
JOHN LYLY.............
Cupid and Campaspe...............
Song. From "Alexander and Campaspe"..
From "Mother Bombie"..........
ALEXANDER HUME.....................
Thanks for a Summer's Day............
THOMAS NASH.....
Despair of a poor Scholar (from "Pierce Penniless").
........
EDWARD VERE, EARL OF OXFORD..........
Fancy and Desire (from "The Paradise of Dainty Devices")..............
Lines attributed to the Earl of Oxford (in a MS. of the Bodleian Library)...
Of a precise Tailor.........
FROM HENRY PERROT'S BOOK OF EPIGRAMS (entitled "Springes for Woodcocks,"
Edit. 1613)................
124
125
126
127
128
129
130
131
The Shepherd's Description of Love. (Ascribed to Sir W. Raleigh in "England's
Helicon")
Richard the Second, the Morning before his Murder in Pomfret Castle.............
Love in Infancy......
143
GILES AND PHINEAS FLETCHER..........
144
Mercy dwelling in Heaven and pleading for the Guilty, with Justice described by her
Qualities (from Giles Fletcher's "Christ's Victory in Heaven")..................................................
Instability of Human Greatness (from Phineas Fletcher's "Purple Island," Canto VII.) 146
Happiness of the Shepherd's Life (from the same, Canto XII.)......................
147
Rosader's Sonetto (from his Romance, called "Euphues's Golden Legacy")................. 148
Another (from the same)...........
148
The Reconcilement of Mr. Roger, the Curate; and Abigail (from "The Scornful Lady,"
Scene I. Act IV.)
153
Julio tantalized by Bustopha about the Fate of his Nephew Antonio (from "The Maid
of the Mill," Act IV. Scene II.)......
154
Edith pleading for the Life of her Father (from the Tragedy of "Rollo, Duke of Nor-
mandy," Act III.)...................................
155
Installation of the King of the Beggars (from "Beggar's Bush," Act II. Scene I.)...... 155
Distant View of the Roman Army engaging the Britons (from the Tragedy of "Bon-
duca," Scene V. Act III.)......
156
Bonduca attacked in her Fortress by the Romans (from the same, Scene IV. Act IV.).. 156
Caratach, Prince of the Britons, with his Nephew Hengo asleep (from the same, Scene
III. Act V.).........
. 157
Arnoldo tempted by Hypolita (from "The Custom of the Country").....
No Rivalship or Taint of Faith admissible in Love (from the same)..
Scene in the Comedy of "Monsieur Thomas".
Reasons for the Soul's Immortality..........
From "A King and No King," Act IV. Scene IV........
SIR JOHN DAVIES...
The Vanity of Human Knowledge (from "Nosce Teipsum," or a Poem on the Immor-
tality of the Soul).......
In what Manner the Soul is united to the Body.......
..... 160
161
162
163
That the Soul is more than the Temperature of the Humours of the Body.
That the Soul is more than a Perfection or Reflection of the Sense.........
MICHAEL DRAYTON.........
Mortimer, Earl of March, and the Queen, surprised by Edward III. in Nottingham
Castle (from "The Barons' Wars," Book VI.)............
Nymphidia, the Court of Fairy...........................
The Quest of Cynthia...............
Ballad of Dowsabel......
To his coy Love (from his Odes).......
Sonnet to his Fair Idea......... ...
166
167
169
Description of Morning, Birds, and hunting the Deer (Poly-Olbion, Song XIII.).................... 177
EDWARD FAIRFAX....
179
From his Translation of Tasso's Jerusalem Delivered, Book XVIII.......................... 179
SAMUEL ROWLANDS.
181
Like Master, like Man (from "The Knave of Spades").......
Tragedy of Smug the Smith (from "The Night Raven")..............
The Vicar (from his Epigrams).........................................
182
Fools and Babes tell True (from "The Knave of Spades")................
The married Scholar..........
From his Poems, entitled "The Temple, sacred Poems and pious Ejaculations"..
The Quip.......
A Son appeasing his Father by Submission, after a stolen Marriage (from the same)..... 190
Speech of Valeria to Rynaldo, in Answer to his bitter Invective against the Sex......... 191
Pride (from the Comedy of "All Fools")...........
191
THOMAS RANDOLPH........
Introductory Scene of "The Muse's Looking-Glass"..
192
Speech of Acolastus the Epicure (from "The Muse's Looking-Glass")...................
Colax, the Flatterer, between the dismal Philosopher Anaisthetus and the Epicure
Acolastus, accommodating his Opinions to both........
THOMAS MIDDLETON..................................
196
Leantio approaching his Home (from the Tragedy of "Women beware Women")......... 196
Leantio's Agony for the Desertion of his Wife (from the same)...................
Scene from "The Roaring Girl"...............
197
Fathers comparing Sons.-Benefit of Imprisonment to a wild Youth (from the same).. 198
Devotion to Love (from the Play of "Blurt, Master-Constable")....
Indignation at the Sale of a Wife's Honour (from "The Phoenix").
Law (from the same)...............................
199
.........
On the sudden Restraint of the Earl of Somerset (the favourite of James I.) then falling
215
216