A Background for BeautyA. Melrose, 1951 - 219 strani |
Iz vsebine knjige
Zadetki 1–3 od 58
Stran 98
... seen . The successful but conventionalized folds change to the wind - blown , clinging naturalness of real though diaphanous draperies . And this change is seen not only in sculpture but also in vase - painting , which had , in turn ...
... seen . The successful but conventionalized folds change to the wind - blown , clinging naturalness of real though diaphanous draperies . And this change is seen not only in sculpture but also in vase - painting , which had , in turn ...
Stran 113
... seen in modern Italian mosaics . The distortion of the figures in Byzantine designs has already been referred to . It is sometimes so violent that the head appears to be almost twisted from the attenuated body . Nothing like these ...
... seen in modern Italian mosaics . The distortion of the figures in Byzantine designs has already been referred to . It is sometimes so violent that the head appears to be almost twisted from the attenuated body . Nothing like these ...
Stran 178
... seen at an appropriate viewpoint or " angle " . Nature , of course , showed man the way . Her creations in formal harmony were also made to be seen at the proper distance and from a proper viewpoint . The most beautiful of operatic ...
... seen at an appropriate viewpoint or " angle " . Nature , of course , showed man the way . Her creations in formal harmony were also made to be seen at the proper distance and from a proper viewpoint . The most beautiful of operatic ...
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abstract art aesthetic after-life ancient animals appear architecture Aristotle artist artist-craftsman attitude Azilian Baroque beauty became Blake Bower Bird buildings Byzantine Byzantine art century B.C. China Chinese Christian Church civilization Classical colour Copyright reserved crafts craftsman Cretan Crete Cubism culture decoration developed discovered display drawing early effect Egypt Empire evolved example expression flowers gift Giotto Gothic Greece Greek art H. G. Spearing harmony Herbert Read human figure ideal ideas images Impressionists influence inspiration Italian J. B. S. Haldane later laws learnt Leonardo Leonardo da Vinci light living London Magdalenian magic marble Michelangelo mind Minoan modern mosaic Museum Nature Neolithic objects Oxford painter painting Palaeolithic Photograph by courtesy Plate Plato primitive Religio Medici religion Renaissance Roman sculpture seems seen Sir Thomas Browne soul spiritual stone style symbolic theory things tradition Trans truth universe vision W. F. Mansell William Blake