Art World, Količina 1Fred Wellington Ruckstuhl Kalon, 1916 |
Iz vsebine knjige
Zadetki 1–5 od 85
Stran 17
... period as to art . Having suffered eclipse for half a century or more , the stronger men of this period are beginning to be studied in a spirit of greater fairness and sympathy such as we extend in general to the artists we call old ...
... period as to art . Having suffered eclipse for half a century or more , the stronger men of this period are beginning to be studied in a spirit of greater fairness and sympathy such as we extend in general to the artists we call old ...
Stran 24
... period of time , the greater artist he will prove to be ! Per contra , should a man's self - love and desire for human recognition take on a diseased form , and urge him to seek a quick Notoriety : simply to have him- self talked about ...
... period of time , the greater artist he will prove to be ! Per contra , should a man's self - love and desire for human recognition take on a diseased form , and urge him to seek a quick Notoriety : simply to have him- self talked about ...
Stran 25
... PERIOD OF TIME . " Well , ' he said , ' isn't that rather broad ? ' " " Of course it is broad . A definition , in order to define , must be both inclusive and exclusive , and I think you will find mine conclusive . ' " He looked ...
... PERIOD OF TIME . " Well , ' he said , ' isn't that rather broad ? ' " " Of course it is broad . A definition , in order to define , must be both inclusive and exclusive , and I think you will find mine conclusive . ' " He looked ...
Stran 27
... period of time since its creation - to be the greatest work of art of its kind . Why do I say cultured people ? Because Tolstoi made the mistake of supposing that a crowd of un- cultured moujiks , with rudimentary brains , are able to ...
... period of time since its creation - to be the greatest work of art of its kind . Why do I say cultured people ? Because Tolstoi made the mistake of supposing that a crowd of un- cultured moujiks , with rudimentary brains , are able to ...
Stran 28
... IN RATIO OF ITS POWER OF STIRRING THE HIGHEST EMOTIONS OF THE LARGEST NUMBER OF CULTURED PEOPLE FOR THE LONGEST PERIOD OF TIME . F. W. Ruckstuhl of life and movement . In many technical matters it 28 October 1916 THE ART WORLD.
... IN RATIO OF ITS POWER OF STIRRING THE HIGHEST EMOTIONS OF THE LARGEST NUMBER OF CULTURED PEOPLE FOR THE LONGEST PERIOD OF TIME . F. W. Ruckstuhl of life and movement . In many technical matters it 28 October 1916 THE ART WORLD.
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Academy admiration æsthetic American appear architecture Aristotle ART WORLD artists Augustus Saint-Gaudens beauty become building called century charlatan charm clever color composition CRAFTSMAN creation critics decorative degenerate drawing elements emotions exhibition existence expression eyes face fact feeling figure French Giorgione give greatest Greece Greek human idea ideal Illustrated imagination imitation individual intellectual interest Kenyon Cox landscape light lines live look mankind matter ment merely Michelangelo mind modern modernistic moral Museum nature never nude painter painting Paris Park perfect Petronius Arbiter Pheidias philosophy picture plans play poet poetry Polykleitos portrait Praxiteles Riverside Park Robert Underwood Johnson Rodin Russian sculpture sense soul spirit Street style sublime taste things thought Timothy Cole tion Titian true truth ugly Venus de Milo woman world of art York
Priljubljeni odlomki
Stran 207 - Because thou sayest, I am rich, and increased with goods, and have need of nothing; and knowest not that thou art wretched, and miserable, and poor, and blind, and naked...
Stran 53 - My mind seems to have become a kind of machine for grinding general laws out of large collections of facts ; but why this should have caused the atrophy of that part of the brain alone on which the higher tastes depend, I cannot conceive.
Stran 313 - Give me my robe, put on my crown; I have Immortal longings in me. Now no more The juice of Egypt's grape shall moist this lip. Yare, yare, good Iras; quick. Methinks I hear Antony call; I see him rouse himself To praise my noble act; I hear him mock The luck of Caesar, which the gods give men To excuse their after wrath. Husband, I come! Now to that name my courage prove my title!
Stran 274 - Thro' strings of some still instrument, Or moonlight on a midnight stream, Gives grace and truth to life's unquiet dream.
Stran 173 - Indeed there can be no more useful help for discovering what poetry belongs to the class of the truly excellent, and can therefore do us most good, than to have always in one's mind lines and expressions of the great masters, and to apply them as a touchstone to other poetry.
Stran 313 - Take up her bed; And bear her women from the monument. She shall be buried by her Antony: No grave upon the earth shall clip in it A pair so famous. High events as these Strike those that make them; and their story is No less in pity than his glory which Brought them to be lamented. Our army shall, In solemn show, attend this funeral, And then to Rome.
Stran 177 - The word of the Lord by night To the watching Pilgrims came, As they sat by the seaside, And filled their hearts with flame. God said, I am tired of kings, I suffer them no more; Up to my ear the morning brings The outrage of the poor.
Stran 375 - And only the Master shall praise us, and only the Master shall blame; And no one shall work for money, and no one shall work for fame, But each for the joy of the working, and each, in his separate star, Shall draw the Thing as he sees It for the God of Things as They are!
Stran 53 - Up to the age of thirty, or beyond it, poetry of many kinds, such as the works of Milton, Gray, Byron, Wordsworth, Coleridge, and Shelley, gave me great pleasure, and even as a schoolboy I took intense delight in Shakespeare, especially in the historical plays.
Stran 26 - Who so loved the world that he sent his only begotten Son" to lift mankind into a greater and grander unity.