Art World, Količina 1Fred Wellington Ruckstuhl Kalon, 1916 |
Iz vsebine knjige
Zadetki 1–5 od 100
Stran 29
... truth of form and with a truth of action which has never again been attained until our own day . What is most curious about these paintings , how- ever , is that they are purely naturalistic and imitative , with no trace of a decorative ...
... truth of form and with a truth of action which has never again been attained until our own day . What is most curious about these paintings , how- ever , is that they are purely naturalistic and imitative , with no trace of a decorative ...
Stran 30
... truth . In the times we think of as the times of deca- dence there has generally been a lessening of such truth . From the whole history of art as we know it , we can only conclude that , in its essential nature , painting is the art of ...
... truth . In the times we think of as the times of deca- dence there has generally been a lessening of such truth . From the whole history of art as we know it , we can only conclude that , in its essential nature , painting is the art of ...
Stran 31
... truth is gained by the sacrifice , in greater or less degree , of all the rest . Not only is anything like an exact ... truth by his very infidelity to fact . His rank as an artist will depend largely upon whether the truths to which he ...
... truth is gained by the sacrifice , in greater or less degree , of all the rest . Not only is anything like an exact ... truth by his very infidelity to fact . His rank as an artist will depend largely upon whether the truths to which he ...
Stran 32
... truth of the representation of them , we get the pleasure of recognition and of a sense of our enhanced power of perception and appreciation in an even greater degree than we can get it from the picture of real and familiar things ...
... truth of the representation of them , we get the pleasure of recognition and of a sense of our enhanced power of perception and appreciation in an even greater degree than we can get it from the picture of real and familiar things ...
Stran 43
... Whose face the haunted years allow , Romance the music at her heart , And truth the splendor on her brow . George Sterling Dear Mr. Editor : Glendale , July 3 , 1915 October 1916 43 THE ART WORLD ART-Original Poem By George Sterling.
... Whose face the haunted years allow , Romance the music at her heart , And truth the splendor on her brow . George Sterling Dear Mr. Editor : Glendale , July 3 , 1915 October 1916 43 THE ART WORLD ART-Original Poem By George Sterling.
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Academy admiration æsthetic American appear architecture Aristotle ART WORLD artists Augustus Saint-Gaudens beauty become building called century charlatan charm clever color composition CRAFTSMAN creation critics decorative degenerate drawing elements emotions exhibition existence expression eyes face fact feeling figure French Giorgione give greatest Greece Greek human idea ideal Illustrated imagination imitation individual intellectual interest Kenyon Cox landscape light lines live look mankind matter ment merely Michelangelo mind modern modernistic moral Museum nature never nude painter painting Paris Park perfect Petronius Arbiter Pheidias philosophy picture plans play poet poetry Polykleitos portrait Praxiteles Riverside Park Robert Underwood Johnson Rodin Russian sculpture sense soul spirit Street style sublime taste things thought Timothy Cole tion Titian true truth ugly Venus de Milo woman world of art York
Priljubljeni odlomki
Stran 207 - Because thou sayest, I am rich, and increased with goods, and have need of nothing; and knowest not that thou art wretched, and miserable, and poor, and blind, and naked...
Stran 53 - My mind seems to have become a kind of machine for grinding general laws out of large collections of facts ; but why this should have caused the atrophy of that part of the brain alone on which the higher tastes depend, I cannot conceive.
Stran 313 - Give me my robe, put on my crown; I have Immortal longings in me. Now no more The juice of Egypt's grape shall moist this lip. Yare, yare, good Iras; quick. Methinks I hear Antony call; I see him rouse himself To praise my noble act; I hear him mock The luck of Caesar, which the gods give men To excuse their after wrath. Husband, I come! Now to that name my courage prove my title!
Stran 274 - Thro' strings of some still instrument, Or moonlight on a midnight stream, Gives grace and truth to life's unquiet dream.
Stran 173 - Indeed there can be no more useful help for discovering what poetry belongs to the class of the truly excellent, and can therefore do us most good, than to have always in one's mind lines and expressions of the great masters, and to apply them as a touchstone to other poetry.
Stran 313 - Take up her bed; And bear her women from the monument. She shall be buried by her Antony: No grave upon the earth shall clip in it A pair so famous. High events as these Strike those that make them; and their story is No less in pity than his glory which Brought them to be lamented. Our army shall, In solemn show, attend this funeral, And then to Rome.
Stran 177 - The word of the Lord by night To the watching Pilgrims came, As they sat by the seaside, And filled their hearts with flame. God said, I am tired of kings, I suffer them no more; Up to my ear the morning brings The outrage of the poor.
Stran 375 - And only the Master shall praise us, and only the Master shall blame; And no one shall work for money, and no one shall work for fame, But each for the joy of the working, and each, in his separate star, Shall draw the Thing as he sees It for the God of Things as They are!
Stran 53 - Up to the age of thirty, or beyond it, poetry of many kinds, such as the works of Milton, Gray, Byron, Wordsworth, Coleridge, and Shelley, gave me great pleasure, and even as a schoolboy I took intense delight in Shakespeare, especially in the historical plays.
Stran 26 - Who so loved the world that he sent his only begotten Son" to lift mankind into a greater and grander unity.