The Metaphor, a Semantic AnalysisSanskrit Pustak Bhandar, 1992 - 61 strani Comparative and analytical study of metaphor as it appears in Indian and Western theories of poetics. |
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Zadetki 1–3 od 8
Stran 10
... character and actor . The audience knows perfectly well that the person in front of them is not that particular character , but an actor impersonating the character . However , despite this knowledge , the audience is perfectly willing ...
... character and actor . The audience knows perfectly well that the person in front of them is not that particular character , but an actor impersonating the character . However , despite this knowledge , the audience is perfectly willing ...
Stran 11
... character through pratyakṣa or perceptual knowledge . This occurs through the following process . First of all , the actor imitates by means of his acting prowress , the external manifestations of the original emotion . Then the ...
... character through pratyakṣa or perceptual knowledge . This occurs through the following process . First of all , the actor imitates by means of his acting prowress , the external manifestations of the original emotion . Then the ...
Stran 18
... character of one object is superimposed on a similar one . Jagannatha with his thorough grounding in logic has produced a lengthy definition of this figure , According to him , rūpaka is that identity of the upameya with the upamana ...
... character of one object is superimposed on a similar one . Jagannatha with his thorough grounding in logic has produced a lengthy definition of this figure , According to him , rūpaka is that identity of the upameya with the upamana ...
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accept According adjective already analysis appears Aristotle attribute audience basic basis becomes believes belongs Bhartṛhari Black brought called candraḥ carry CHAPTER character clear clearly cognised comes common factor context deal denotation deviation discourse discussed distinct distinguished effect element emotions essential example existence experience explained expression face fact feelings figures of speech follows forms function gods goes grammarians grasp hand human idea identification impossible Indian rhetoricians individual instance interpretation kind lakṣaṇā language linguistic literal literature live meaning metaphor metaphorise moon mukham natural normal objects occurs operate opinion original paraphrase particular person philosophers poet poetic poetry possible present primary problem question recognised reference relation Rhetoric Richards rūpaka says secondary semantic sense sentence similarity simile speak species stands statement superimposition of identities takes theory thing thought transfer understanding upamā upamāna upameya Vedic whole word