The Metaphor, a Semantic AnalysisSanskrit Pustak Bhandar, 1992 - 61 strani Comparative and analytical study of metaphor as it appears in Indian and Western theories of poetics. |
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Zadetki 1–3 od 4
Stran 11
... experience the emotions of the original character through pratyakṣa or perceptual knowledge . This occurs through ... experiences the original emotions by means of jñānalakṣaṇa sannikarşa ( perception through memory - knowledge ) . This ...
... experience the emotions of the original character through pratyakṣa or perceptual knowledge . This occurs through ... experiences the original emotions by means of jñānalakṣaṇa sannikarşa ( perception through memory - knowledge ) . This ...
Stran 52
... experienced and having evoked it in oneself then by means of movements , lines , colours , sounds or forms expressed in words , so to transmit that feeling that others experience the same feeling - this is the activity of art . " Art is ...
... experienced and having evoked it in oneself then by means of movements , lines , colours , sounds or forms expressed in words , so to transmit that feeling that others experience the same feeling - this is the activity of art . " Art is ...
Stran 53
... experiences comprises the bhāvayitri pratibhā ( appreciative genuis ) . Both are species of one particular genius , i.e. ... experience , they still share the same feelings . This is where identification comes in . Without the basic ...
... experiences comprises the bhāvayitri pratibhā ( appreciative genuis ) . Both are species of one particular genius , i.e. ... experience , they still share the same feelings . This is where identification comes in . Without the basic ...
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accept According adjective already analysis appears Aristotle attribute audience basic basis becomes believes belongs Bhartṛhari Black brought called candraḥ carry CHAPTER character clear clearly cognised comes common factor context deal denotation deviation discourse discussed distinct distinguished effect element emotions essential example existence experience explained expression face fact feelings figures of speech follows forms function gods goes grammarians grasp hand human idea identification impossible Indian rhetoricians individual instance interpretation kind lakṣaṇā language linguistic literal literature live meaning metaphor metaphorise moon mukham natural normal objects occurs operate opinion original paraphrase particular person philosophers poet poetic poetry possible present primary problem question recognised reference relation Rhetoric Richards rūpaka says secondary semantic sense sentence similarity simile speak species stands statement superimposition of identities takes theory thing thought transfer understanding upamā upamāna upameya Vedic whole word