The Metaphor, a Semantic AnalysisSanskrit Pustak Bhandar, 1992 - 61 strani Comparative and analytical study of metaphor as it appears in Indian and Western theories of poetics. |
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Zadetki 1–3 od 20
Stran 5
... face , the poet identifies her face with the conventional standards of comparison , e.g. , the moon , the lotus etc. This is in order to impress upon the mind of the appreciative reader the exquisite loveliness of the heroine's face ...
... face , the poet identifies her face with the conventional standards of comparison , e.g. , the moon , the lotus etc. This is in order to impress upon the mind of the appreciative reader the exquisite loveliness of the heroine's face ...
Stran 26
... ( face ) itself . But how can this be possible when ' mukha ' involves ' mukhatva ' ( face - ness ) which stands in the way of the apprehension of candratva in mukha ? Moverover , if we admit this possibility , then in upama , too , e.g. ...
... ( face ) itself . But how can this be possible when ' mukha ' involves ' mukhatva ' ( face - ness ) which stands in the way of the apprehension of candratva in mukha ? Moverover , if we admit this possibility , then in upama , too , e.g. ...
Stran 49
... face belongs to the face alone while the loveliness of the moon belongs to the moon alone . However , a commonness is imposed upon the two separate lovelinesses , in order to compare the face with the moon . Appaya Dikşita has pointed ...
... face belongs to the face alone while the loveliness of the moon belongs to the moon alone . However , a commonness is imposed upon the two separate lovelinesses , in order to compare the face with the moon . Appaya Dikşita has pointed ...
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accept According adjective already analysis appears Aristotle attribute audience basic basis becomes believes belongs Bhartṛhari Black brought called candraḥ carry CHAPTER character clear clearly cognised comes common factor context deal denotation deviation discourse discussed distinct distinguished effect element emotions essential example existence experience explained expression face fact feelings figures of speech follows forms function gods goes grammarians grasp hand human idea identification impossible Indian rhetoricians individual instance interpretation kind lakṣaṇā language linguistic literal literature live meaning metaphor metaphorise moon mukham natural normal objects occurs operate opinion original paraphrase particular person philosophers poet poetic poetry possible present primary problem question recognised reference relation Rhetoric Richards rūpaka says secondary semantic sense sentence similarity simile speak species stands statement superimposition of identities takes theory thing thought transfer understanding upamā upamāna upameya Vedic whole word