The Critic's NotebookRobert Wooster Stallman University of Minnesota Press, 1950 - 303 strani |
Iz vsebine knjige
Zadetki 1–3 od 82
Stran 40
... Reprinted by permission of the author and the publisher . The Classical Tradition in Poetry , p . 261. Copyright 1927 by Harvard University Press . Reprinted by permission of the publisher . The A - B - C of Aesthetics , p . 206 ...
... Reprinted by permission of the author and the publisher . The Classical Tradition in Poetry , p . 261. Copyright 1927 by Harvard University Press . Reprinted by permission of the publisher . The A - B - C of Aesthetics , p . 206 ...
Stran 165
... Reprinted by permission of the publishers . 13 " The Use of ' Negative ' Emotions , " p . 72 in Towards Standards of Criticism , edited by F. R. Leavis . Copyright 1933 by Lawrence and Wishart , Ltd. Reprinted by permission of the ...
... Reprinted by permission of the publishers . 13 " The Use of ' Negative ' Emotions , " p . 72 in Towards Standards of Criticism , edited by F. R. Leavis . Copyright 1933 by Lawrence and Wishart , Ltd. Reprinted by permission of the ...
Stran 231
... Reprinted by permission of the publisher . 27 " Meaning in Art , " Criterion , 9 ( January 1930 ) , 215 . 28 Notes d'un Peintre , p . 30. Copyright 1931 by the Museum of Modern Art . Reprinted by permission of the publisher . This essay ...
... Reprinted by permission of the publisher . 27 " Meaning in Art , " Criterion , 9 ( January 1930 ) , 215 . 28 Notes d'un Peintre , p . 30. Copyright 1931 by the Museum of Modern Art . Reprinted by permission of the publisher . This essay ...
Vsebina
Kinds of Criticism | 16 |
Scholarship and Literary Criticism | 23 |
The Contemporaneousness of Criticism | 33 |
Avtorske pravice | |
23 preostalih delov ni prikazanih
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Pogosti izrazi in povedi
actual aesthetic artist attitude beauty become belief character communication complete concerned conscious Copyright course created Criticism definition direct edited effect elements emotion English Essays existence experience expression Faber fact feeling function give Harcourt human idea imaginative important intention interest interpretation John judgment kind knowledge language less Letters literary Literary Criticism literature logical matter meaning merely method mind nature never Note novel object once Oxford particular past Philosophical play poem poet poet's poetic poetry possible practice present principle problem produced publisher pure question reader reality reason reference regard relation Reprinted by permission Review Richards Scrutiny seems Selected sense simply sound statement suggest symbol T. S. ELIOT theory thing thought tion true truth understanding University Press vision whole writing