The Critic's NotebookRobert Wooster Stallman University of Minnesota Press, 1950 - 303 strani |
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Zadetki 1–3 od 51
Stran 70
... becomes , not a formula , but the unformulable whole of all that was meaningful in her : she becomes " Madame Bovary " - all we mean by the title . It is by these means that she becomes a symbol and takes on all the inex- haustible mode ...
... becomes , not a formula , but the unformulable whole of all that was meaningful in her : she becomes " Madame Bovary " - all we mean by the title . It is by these means that she becomes a symbol and takes on all the inex- haustible mode ...
Stran 192
... become art only for him who no longer believes in it and avails himself of mythology as a metaphor , of the austere world of the gods as of a beautiful world , of God as of an image of sublimity . Considered , then , in its genuine ...
... become art only for him who no longer believes in it and avails himself of mythology as a metaphor , of the austere world of the gods as of a beautiful world , of God as of an image of sublimity . Considered , then , in its genuine ...
Stran 199
... becomes a different thing in becoming poetry . It is interesting to hazard the suggestion that this is truer of Dante ... become astrono- mers , theologians , or moralists [ and one may add " or econo- mists " ] , persons engaged in a ...
... becomes a different thing in becoming poetry . It is interesting to hazard the suggestion that this is truer of Dante ... become astrono- mers , theologians , or moralists [ and one may add " or econo- mists " ] , persons engaged in a ...
Vsebina
Kinds of Criticism | 16 |
Scholarship and Literary Criticism | 23 |
The Contemporaneousness of Criticism | 33 |
Avtorske pravice | |
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actual aesthetic artist attitude beauty become belief character communication complete concerned conscious Copyright course created Criticism definition direct edited effect elements emotion English Essays existence experience expression Faber fact feeling function give Harcourt human idea imaginative important intention interest interpretation John judgment kind knowledge language less Letters literary Literary Criticism literature logical matter meaning merely method mind nature never Note novel object once Oxford particular past Philosophical play poem poet poet's poetic poetry possible practice present principle problem produced publisher pure question reader reality reason reference regard relation Reprinted by permission Review Richards Scrutiny seems Selected sense simply sound statement suggest symbol T. S. ELIOT theory thing thought tion true truth understanding University Press vision whole writing