The Critic's NotebookRobert Wooster Stallman University of Minnesota Press, 1950 - 303 strani |
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Zadetki 1–3 od 30
Stran 49
... character can be sig- nificant and typical only if the artist succeeds in disclosing the manifold connections between the individual traits of his heroes and the objective general problems of his time , if the character himself ...
... character can be sig- nificant and typical only if the artist succeeds in disclosing the manifold connections between the individual traits of his heroes and the objective general problems of his time , if the character himself ...
Stran 50
... character as an illusion or as a symbol at all , for “ character ” is merely the term by which the reader alludes to the pseudo- objective image he composes of his responses to an author's verbal arrangements . Unfortunately , that ...
... character as an illusion or as a symbol at all , for “ character ” is merely the term by which the reader alludes to the pseudo- objective image he composes of his responses to an author's verbal arrangements . Unfortunately , that ...
Stran 51
... character tan- gible ; yet only in solution have either any emotive valency . The composition of this metaphorical ... character , in solution . Modern opinion , commonly assuming that the novelist ex- presses himself primarily through ...
... character tan- gible ; yet only in solution have either any emotive valency . The composition of this metaphorical ... character , in solution . Modern opinion , commonly assuming that the novelist ex- presses himself primarily through ...
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Kinds of Criticism | 16 |
Scholarship and Literary Criticism | 23 |
The Contemporaneousness of Criticism | 33 |
Avtorske pravice | |
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actual aesthetic artist attitude beauty become belief character communication complete concerned conscious Copyright course created Criticism definition direct edited effect elements emotion English Essays existence experience expression Faber fact feeling function give Harcourt human idea imaginative important intention interest interpretation John judgment kind knowledge language less Letters literary Literary Criticism literature logical matter meaning merely method mind nature never Note novel object once Oxford particular past Philosophical play poem poet poet's poetic poetry possible practice present principle problem produced publisher pure question reader reality reason reference regard relation Reprinted by permission Review Richards Scrutiny seems Selected sense simply sound statement suggest symbol T. S. ELIOT theory thing thought tion true truth understanding University Press vision whole writing