The Critic's NotebookRobert Wooster Stallman University of Minnesota Press, 1950 - 303 strani |
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Zadetki 1–3 od 22
Stran 5
... direct experience of poetry ; but on the other hand our direct experience of poetry involves a good deal of generalising activity . The two questions , which represent the most abstract formula- tion of what is far from being an ...
... direct experience of poetry ; but on the other hand our direct experience of poetry involves a good deal of generalising activity . The two questions , which represent the most abstract formula- tion of what is far from being an ...
Stran 86
... direct view the discourse as a whole - as affording not only words from which conventially established abstractions may be made , but a complex texture or " total meaning " from which , together with these conventional abstractions ...
... direct view the discourse as a whole - as affording not only words from which conventially established abstractions may be made , but a complex texture or " total meaning " from which , together with these conventional abstractions ...
Stran 134
... direct represen- tation , " which only the stage can give us . But here , using this mechanic's tool [ the whirring lathe of Binet ] Flaubert gives us a direct impression of Emma's sensation at a particular moment ( which not even the ...
... direct represen- tation , " which only the stage can give us . But here , using this mechanic's tool [ the whirring lathe of Binet ] Flaubert gives us a direct impression of Emma's sensation at a particular moment ( which not even the ...
Vsebina
Kinds of Criticism | 16 |
Scholarship and Literary Criticism | 23 |
The Contemporaneousness of Criticism | 33 |
Avtorske pravice | |
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actual aesthetic artist attitude beauty become belief character communication complete concerned conscious Copyright course created Criticism definition direct edited effect elements emotion English Essays existence experience expression Faber fact feeling function give Harcourt human idea imaginative important intention interest interpretation John judgment kind knowledge language less Letters literary Literary Criticism literature logical matter meaning merely method mind nature never Note novel object once Oxford particular past Philosophical play poem poet poet's poetic poetry possible practice present principle problem produced publisher pure question reader reality reason reference regard relation Reprinted by permission Review Richards Scrutiny seems Selected sense simply sound statement suggest symbol T. S. ELIOT theory thing thought tion true truth understanding University Press vision whole writing