The Critic's NotebookRobert Wooster Stallman University of Minnesota Press, 1950 - 303 strani |
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Zadetki 1–3 od 39
Stran 8
... effect is . Further , the critic tells both artist and spectator how the effect ranks , i.e. he correctly classifies it . And unless the correct classifying is an utter waste of time , it must bear on appreciation . If it does not bear ...
... effect is . Further , the critic tells both artist and spectator how the effect ranks , i.e. he correctly classifies it . And unless the correct classifying is an utter waste of time , it must bear on appreciation . If it does not bear ...
Stran 233
... effect in the observer of it , the " consumer , " who makes it the object of aesthetic contemplation . When we expose ourselves , without preconceptions or practical prepossessions , to the effects of an object upon our sensibility ...
... effect in the observer of it , the " consumer , " who makes it the object of aesthetic contemplation . When we expose ourselves , without preconceptions or practical prepossessions , to the effects of an object upon our sensibility ...
Stran 249
... effect is unsatisfying . " Perhaps the critical method that applies in the other sort of situation , where the poetic effects were fully intended , might rate as " logical . " The poem is satisfying if all its effects are logical ...
... effect is unsatisfying . " Perhaps the critical method that applies in the other sort of situation , where the poetic effects were fully intended , might rate as " logical . " The poem is satisfying if all its effects are logical ...
Vsebina
Kinds of Criticism | 16 |
Scholarship and Literary Criticism | 23 |
The Contemporaneousness of Criticism | 33 |
Avtorske pravice | |
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actual aesthetic artist attitude beauty become belief character communication complete concerned conscious Copyright course created Criticism definition direct edited effect elements emotion English Essays existence experience expression Faber fact feeling function give Harcourt human idea imaginative important intention interest interpretation John judgment kind knowledge language less Letters literary Literary Criticism literature logical matter meaning merely method mind nature never Note novel object once Oxford particular past Philosophical play poem poet poet's poetic poetry possible practice present principle problem produced publisher pure question reader reality reason reference regard relation Reprinted by permission Review Richards Scrutiny seems Selected sense simply sound statement suggest symbol T. S. ELIOT theory thing thought tion true truth understanding University Press vision whole writing