The Critic's NotebookRobert Wooster Stallman University of Minnesota Press, 1950 - 303 strani |
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Stran 141
... emotion in every spectator . It depends on the art and on the spec- tator , and on his attention . Not all spectators are dionysian or want to be . * But even if poetry always did arouse emotion , we would still have to ask whether ...
... emotion in every spectator . It depends on the art and on the spec- tator , and on his attention . Not all spectators are dionysian or want to be . * But even if poetry always did arouse emotion , we would still have to ask whether ...
Stran 142
... emotion , which is precisely what a correlative that is truly objective con- trols . But if there is one fact for ... emotion in two senses , but the first of these is trivial . a ) In a dramatic scene , you know that the actor is ...
... emotion , which is precisely what a correlative that is truly objective con- trols . But if there is one fact for ... emotion in two senses , but the first of these is trivial . a ) In a dramatic scene , you know that the actor is ...
Stran 148
... emotion in regard to those specific effects which , since their quality moved Cézanne so greatly more than three hundred years after they had been wrought , can be said to constitute a typical specimen of pictorial beauty . The emotion ...
... emotion in regard to those specific effects which , since their quality moved Cézanne so greatly more than three hundred years after they had been wrought , can be said to constitute a typical specimen of pictorial beauty . The emotion ...
Vsebina
Kinds of Criticism | 16 |
Scholarship and Literary Criticism | 23 |
The Contemporaneousness of Criticism | 33 |
Avtorske pravice | |
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actual aesthetic artist attitude beauty become belief character communication complete concerned conscious Copyright course created Criticism definition direct edited effect elements emotion English Essays existence experience expression Faber fact feeling function give Harcourt human idea imaginative important intention interest interpretation John judgment kind knowledge language less Letters literary Literary Criticism literature logical matter meaning merely method mind nature never Note novel object once Oxford particular past Philosophical play poem poet poet's poetic poetry possible practice present principle problem produced publisher pure question reader reality reason reference regard relation Reprinted by permission Review Richards Scrutiny seems Selected sense simply sound statement suggest symbol T. S. ELIOT theory thing thought tion true truth understanding University Press vision whole writing