The Critic's NotebookRobert Wooster Stallman University of Minnesota Press, 1950 - 303 strani |
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Stran xiv
... INTENTIONS The Problem Defined The Creative Process The Original Intention of the Artist .. The Actual Intention of the Work of Art .. The Critic as Interpreter of the Original Intention of the Artist ( the Intentional Fallacy ) 120 139 ...
... INTENTIONS The Problem Defined The Creative Process The Original Intention of the Artist .. The Actual Intention of the Work of Art .. The Critic as Interpreter of the Original Intention of the Artist ( the Intentional Fallacy ) 120 139 ...
Stran 209
... intention . " " Intention , " as we shall use the term , corresponds to what he intended in a formula which more or less explicitly has had wide acceptance . " In order to judge the poet's performance , we must know what he intended ...
... intention . " " Intention , " as we shall use the term , corresponds to what he intended in a formula which more or less explicitly has had wide acceptance . " In order to judge the poet's performance , we must know what he intended ...
Stran 232
... intention . This principle provides a key for the reader to unlock the meaning of a work . Since each part of the ... intention , conscious or unconscious , and it is a single intention . That is why , for example , the audience , at the ...
... intention . This principle provides a key for the reader to unlock the meaning of a work . Since each part of the ... intention , conscious or unconscious , and it is a single intention . That is why , for example , the audience , at the ...
Vsebina
Kinds of Criticism | 16 |
Scholarship and Literary Criticism | 23 |
The Contemporaneousness of Criticism | 33 |
Avtorske pravice | |
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actual aesthetic artist attitude beauty become belief character communication complete concerned conscious Copyright course created Criticism definition direct edited effect elements emotion English Essays existence experience expression Faber fact feeling function give Harcourt human idea imaginative important intention interest interpretation John judgment kind knowledge language less Letters literary Literary Criticism literature logical matter meaning merely method mind nature never Note novel object once Oxford particular past Philosophical play poem poet poet's poetic poetry possible practice present principle problem produced publisher pure question reader reality reason reference regard relation Reprinted by permission Review Richards Scrutiny seems Selected sense simply sound statement suggest symbol T. S. ELIOT theory thing thought tion true truth understanding University Press vision whole writing