The Critic's NotebookRobert Wooster Stallman University of Minnesota Press, 1950 - 303 strani |
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Stran 47
... plays of Shakespeare there are details of psychology and portraiture so realistic as to astonish and enchant the multi ... play the highest emotional and intellectual powers of the artist . Just as the aesthetic problem is too vague , so ...
... plays of Shakespeare there are details of psychology and portraiture so realistic as to astonish and enchant the multi ... play the highest emotional and intellectual powers of the artist . Just as the aesthetic problem is too vague , so ...
Stran 102
... play by bringing into focus at least three elements : the blood- soaked atmosphere of the play in general , and more specifically , the bloody deeds of Agamemnon and Clytemnestra ; Agamem- non's hybris - Oriental despots walk into their ...
... play by bringing into focus at least three elements : the blood- soaked atmosphere of the play in general , and more specifically , the bloody deeds of Agamemnon and Clytemnestra ; Agamem- non's hybris - Oriental despots walk into their ...
Stran 235
... play - what Freud calls " the mystery of its effect , " its magical appeal that draws so much interest toward it . Recalling the many failures to solve the riddle of the play's charm , he won- ders if we are to be driven to the ...
... play - what Freud calls " the mystery of its effect , " its magical appeal that draws so much interest toward it . Recalling the many failures to solve the riddle of the play's charm , he won- ders if we are to be driven to the ...
Vsebina
Kinds of Criticism | 16 |
Scholarship and Literary Criticism | 23 |
The Contemporaneousness of Criticism | 33 |
Avtorske pravice | |
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actual aesthetic artist attitude beauty become belief character communication complete concerned conscious Copyright course created Criticism definition direct edited effect elements emotion English Essays existence experience expression Faber fact feeling function give Harcourt human idea imaginative important intention interest interpretation John judgment kind knowledge language less Letters literary Literary Criticism literature logical matter meaning merely method mind nature never Note novel object once Oxford particular past Philosophical play poem poet poet's poetic poetry possible practice present principle problem produced publisher pure question reader reality reason reference regard relation Reprinted by permission Review Richards Scrutiny seems Selected sense simply sound statement suggest symbol T. S. ELIOT theory thing thought tion true truth understanding University Press vision whole writing