The Critic's NotebookRobert Wooster Stallman University of Minnesota Press, 1950 - 303 strani |
Iz vsebine knjige
Zadetki 1–3 od 32
Stran 209
... poet's performance , we must know what he intended . " Intention is design or plan in the author's mind . Intention has obvious affinities for the author's attitude to- ward his work , the way he felt , what made him write . We begin ...
... poet's performance , we must know what he intended . " Intention is design or plan in the author's mind . Intention has obvious affinities for the author's attitude to- ward his work , the way he felt , what made him write . We begin ...
Stran 225
... poet's way of constructing the poem . His ways are devious even to himself , and A. E. Housman has spe- cifically ... poet does not know distinctly what the end - product is to be until it actually is . He does not map a pattern and then ...
... poet's way of constructing the poem . His ways are devious even to himself , and A. E. Housman has spe- cifically ... poet does not know distinctly what the end - product is to be until it actually is . He does not map a pattern and then ...
Stran 229
... poet ; and , if this is so , the poet's social rôle also is more than , and other than , any conscious social purpose of his part . The poet may , or may not , have a deliberate intention to teach or to persuade . It is easy to see that ...
... poet ; and , if this is so , the poet's social rôle also is more than , and other than , any conscious social purpose of his part . The poet may , or may not , have a deliberate intention to teach or to persuade . It is easy to see that ...
Vsebina
Kinds of Criticism | 16 |
Scholarship and Literary Criticism | 23 |
The Contemporaneousness of Criticism | 33 |
Avtorske pravice | |
23 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
actual aesthetic artist attitude beauty become belief character communication complete concerned conscious Copyright course created Criticism definition direct edited effect elements emotion English Essays existence experience expression Faber fact feeling function give Harcourt human idea imaginative important intention interest interpretation John judgment kind knowledge language less Letters literary Literary Criticism literature logical matter meaning merely method mind nature never Note novel object once Oxford particular past Philosophical play poem poet poet's poetic poetry possible practice present principle problem produced publisher pure question reader reality reason reference regard relation Reprinted by permission Review Richards Scrutiny seems Selected sense simply sound statement suggest symbol T. S. ELIOT theory thing thought tion true truth understanding University Press vision whole writing