The Critic's NotebookRobert Wooster Stallman University of Minnesota Press, 1950 - 303 strani |
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Zadetki 1–3 od 85
Stran 40
... publisher . The Classical Tradition in Poetry , p . 261. Copyright 1927 by Harvard University Press . Reprinted by permission of the publisher . The A - B - C of Aesthetics , p . 206. Copyright 1927 by Horace Liveright , Inc. Reprinted ...
... publisher . The Classical Tradition in Poetry , p . 261. Copyright 1927 by Harvard University Press . Reprinted by permission of the publisher . The A - B - C of Aesthetics , p . 206. Copyright 1927 by Horace Liveright , Inc. Reprinted ...
Stran 87
... publishers . 10 The Personal Heresy , pp . 113-14 . Copyright 1939 by Oxford University Press . Reprinted by permission of the publisher . kind of philosophy behind it ; it is quite enough 87 WHAT THE POEM MEANS What the Poem Means.
... publishers . 10 The Personal Heresy , pp . 113-14 . Copyright 1939 by Oxford University Press . Reprinted by permission of the publisher . kind of philosophy behind it ; it is quite enough 87 WHAT THE POEM MEANS What the Poem Means.
Stran 162
... publisher . The Art Spirit , p . 7. Copyright 1923 and 1930 by the J. B. Lippincott Co. Reprinted by permission of Violet Organ and the publisher . Quoting Henry James , in Reason and Romanticism , p . 219. Copyright 1926 by Faber and ...
... publisher . The Art Spirit , p . 7. Copyright 1923 and 1930 by the J. B. Lippincott Co. Reprinted by permission of Violet Organ and the publisher . Quoting Henry James , in Reason and Romanticism , p . 219. Copyright 1926 by Faber and ...
Vsebina
Kinds of Criticism | 16 |
Scholarship and Literary Criticism | 23 |
The Contemporaneousness of Criticism | 33 |
Avtorske pravice | |
23 preostalih delov ni prikazanih
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Pogosti izrazi in povedi
actual aesthetic artist attitude beauty become belief character communication complete concerned conscious Copyright course created Criticism definition direct edited effect elements emotion English Essays existence experience expression Faber fact feeling function give Harcourt human idea imaginative important intention interest interpretation John judgment kind knowledge language less Letters literary Literary Criticism literature logical matter meaning merely method mind nature never Note novel object once Oxford particular past Philosophical play poem poet poet's poetic poetry possible practice present principle problem produced publisher pure question reader reality reason reference regard relation Reprinted by permission Review Richards Scrutiny seems Selected sense simply sound statement suggest symbol T. S. ELIOT theory thing thought tion true truth understanding University Press vision whole writing