The Critic's NotebookRobert Wooster Stallman University of Minnesota Press, 1950 - 303 strani |
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Stran 41
... reality . Art is one of the means by which man grapples with and assimi- lates reality . On the forge of his own inner consciousness the writer takes the white - hot metal of reality and hammers it out , refashions it to his own purpose ...
... reality . Art is one of the means by which man grapples with and assimi- lates reality . On the forge of his own inner consciousness the writer takes the white - hot metal of reality and hammers it out , refashions it to his own purpose ...
Stran 192
... reality as opposed to unreality , — a reality that drives away other beliefs as illusory or false . It can become art only for him who no longer believes in it and avails himself of mythology as a metaphor , of the austere world of the ...
... reality as opposed to unreality , — a reality that drives away other beliefs as illusory or false . It can become art only for him who no longer believes in it and avails himself of mythology as a metaphor , of the austere world of the ...
Stran 194
... reality , the reality of the imagination , which , like religion , is not suscep- tible to the logic of primary reality . The poet's symbols do not need logical proof , being a matter of appeals , of appositeness . They are not meant to ...
... reality , the reality of the imagination , which , like religion , is not suscep- tible to the logic of primary reality . The poet's symbols do not need logical proof , being a matter of appeals , of appositeness . They are not meant to ...
Vsebina
Kinds of Criticism | 16 |
Scholarship and Literary Criticism | 23 |
The Contemporaneousness of Criticism | 33 |
Avtorske pravice | |
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actual aesthetic artist attitude beauty become belief character communication complete concerned conscious Copyright course created Criticism definition direct edited effect elements emotion English Essays existence experience expression Faber fact feeling function give Harcourt human idea imaginative important intention interest interpretation John judgment kind knowledge language less Letters literary Literary Criticism literature logical matter meaning merely method mind nature never Note novel object once Oxford particular past Philosophical play poem poet poet's poetic poetry possible practice present principle problem produced publisher pure question reader reality reason reference regard relation Reprinted by permission Review Richards Scrutiny seems Selected sense simply sound statement suggest symbol T. S. ELIOT theory thing thought tion true truth understanding University Press vision whole writing