The Critic's NotebookRobert Wooster Stallman University of Minnesota Press, 1950 - 303 strani |
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Stran 143
... reason , may be called emotions , though they are objective characters of the value - freighted re- ality present for the experiencer , since they seem to be the factors in the object that account for the rapturous quality of the ex ...
... reason , may be called emotions , though they are objective characters of the value - freighted re- ality present for the experiencer , since they seem to be the factors in the object that account for the rapturous quality of the ex ...
Stran 166
... reason , that they express imaginative apprehension of an object , whether that ob- ject be the poet's own feelings , or someone else's , or a tree , or the moon . The Lines written in Dejection are poetry for the same reason that King ...
... reason , that they express imaginative apprehension of an object , whether that ob- ject be the poet's own feelings , or someone else's , or a tree , or the moon . The Lines written in Dejection are poetry for the same reason that King ...
Stran 259
... Reason in Madness . Putnam , 1941. Pp . 9 , 49 , 60-61 , 64 , 105 , 110 . THORPE , C. , and N. NELSON . " Criticism in the Twentieth Century , " College English , 8 ( May 1947 ) , 395-405 . TILLYARD , E. M. W. Poetry Direct and Oblique ...
... Reason in Madness . Putnam , 1941. Pp . 9 , 49 , 60-61 , 64 , 105 , 110 . THORPE , C. , and N. NELSON . " Criticism in the Twentieth Century , " College English , 8 ( May 1947 ) , 395-405 . TILLYARD , E. M. W. Poetry Direct and Oblique ...
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Kinds of Criticism | 16 |
Scholarship and Literary Criticism | 23 |
The Contemporaneousness of Criticism | 33 |
Avtorske pravice | |
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actual aesthetic artist attitude beauty become belief character communication complete concerned conscious Copyright course created Criticism definition direct edited effect elements emotion English Essays existence experience expression Faber fact feeling function give Harcourt human idea imaginative important intention interest interpretation John judgment kind knowledge language less Letters literary Literary Criticism literature logical matter meaning merely method mind nature never Note novel object once Oxford particular past Philosophical play poem poet poet's poetic poetry possible practice present principle problem produced publisher pure question reader reality reason reference regard relation Reprinted by permission Review Richards Scrutiny seems Selected sense simply sound statement suggest symbol T. S. ELIOT theory thing thought tion true truth understanding University Press vision whole writing