Five ArtsDuckworth, 1946 - 258 strani |
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Zadetki 1–3 od 52
Stran 91
Frank Ernest Halliday. CHAPTER VII COLOUR Most people are more sensitive to colour than to shape . Though few look at colours carefully - how many of us are really aware of the colours in our carpets or curtains , or of the colour of our ...
Frank Ernest Halliday. CHAPTER VII COLOUR Most people are more sensitive to colour than to shape . Though few look at colours carefully - how many of us are really aware of the colours in our carpets or curtains , or of the colour of our ...
Stran 94
... colour changes in hue , tone , and intensity . For example , the local colour of grass is a warm green , but distant hills are grey , grey - blue , or greyish purple , and eventually become in- distinguishable from the sky . This ...
... colour changes in hue , tone , and intensity . For example , the local colour of grass is a warm green , but distant hills are grey , grey - blue , or greyish purple , and eventually become in- distinguishable from the sky . This ...
Stran 96
... colour sensations . The eye can see only twenty odd per cent . of the colour waves that fly through space . We are totally colour - blind to the remainder . All waves that are longer than 36,000 to the inch ( red ) , or shorter than ...
... colour sensations . The eye can see only twenty odd per cent . of the colour waves that fly through space . We are totally colour - blind to the remainder . All waves that are longer than 36,000 to the inch ( red ) , or shorter than ...
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A. E. HOUSMAN abstract aesthetic emotion aesthetic sense anapaests appearance appreciation architect architecture artist beauty building century Cézanne classical CLIVE BELL colour combination conscious considered contrapuntal creative derived doth effect element English ERIC GILL essential experience expression eyes feeling flowers function Gothic Gothic architecture Greek hand harmony hear Herbert Read iambic ideas imagination imitation intellectual literal meaning living look medium Messrs metre mind nature never object onomatopoeia painter painting passage pattern picture Piero della Francesca pleasure poem poet poetic poetry prose pure rational realism Renaissance representation rhyme rhythm ROGER FRY Romantic sculpture sequence Shakespeare shape significance sonnet soul sound spondee Sprung Rhythm story style suggest sweet syllables T. S. ELIOT thee thing thou thought three-dimensional tones trochee true ugly unconscious mind verse visual art whole words writing yellow