Five ArtsDuckworth, 1946 - 258 strani |
Iz vsebine knjige
Zadetki 1–3 od 23
Stran 136
... language . And as England is rich in the variety of her building - stones , so no country is richer in words . Though the basic element of English is Saxon most powerfully reinforced by words of Latin origin , yet the ancient ...
... language . And as England is rich in the variety of her building - stones , so no country is richer in words . Though the basic element of English is Saxon most powerfully reinforced by words of Latin origin , yet the ancient ...
Stran 168
... language , especially to the common people . And I doubt whether the alterations since introduced have added much to the beauty or strength of the English Tongue , though they have taken off a great deal from the Simplicity which is one ...
... language , especially to the common people . And I doubt whether the alterations since introduced have added much to the beauty or strength of the English Tongue , though they have taken off a great deal from the Simplicity which is one ...
Stran 211
... language of everyday life ; verse is simply metrical language . Rhyme , it should once again be noted , has nothing to do with any definition of verse ; the presence or absence of metre is all that differentiates verse from prose . Nor ...
... language of everyday life ; verse is simply metrical language . Rhyme , it should once again be noted , has nothing to do with any definition of verse ; the presence or absence of metre is all that differentiates verse from prose . Nor ...
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A. E. HOUSMAN abstract aesthetic emotion aesthetic sense anapaests appearance appreciation architect architecture artist beauty building century Cézanne classical CLIVE BELL colour combination conscious considered contrapuntal creative derived doth effect element English ERIC GILL essential experience expression eyes feeling flowers function Gothic Gothic architecture Greek hand harmony hear Herbert Read iambic ideas imagination imitation intellectual literal meaning living look medium Messrs metre mind nature never object onomatopoeia painter painting passage pattern picture Piero della Francesca pleasure poem poet poetic poetry prose pure rational realism Renaissance representation rhyme rhythm ROGER FRY Romantic sculpture sequence Shakespeare shape significance sonnet soul sound spondee Sprung Rhythm story style suggest sweet syllables T. S. ELIOT thee thing thou thought three-dimensional tones trochee true ugly unconscious mind verse visual art whole words writing yellow