Five ArtsDuckworth, 1946 - 258 strani |
Iz vsebine knjige
Zadetki 1–3 od 29
Stran 91
... light . The sun is self- luminous and its light is white , but this white light can be broken up into the colours of the spectrum or rainbow - red , orange , yellow , green , blue , violet . A red surface is one that reflects the red ...
... light . The sun is self- luminous and its light is white , but this white light can be broken up into the colours of the spectrum or rainbow - red , orange , yellow , green , blue , violet . A red surface is one that reflects the red ...
Stran 92
... light or dark red ; by adding white to red we can make it lighter , as by adding black we can make it darker , without changing the hue , because white and black are not hues . Intensity refers to the brilliance or dullness of a hue ...
... light or dark red ; by adding white to red we can make it lighter , as by adding black we can make it darker , without changing the hue , because white and black are not hues . Intensity refers to the brilliance or dullness of a hue ...
Stran 109
... light in modifying form and local colour and , as Monet said , light became the principal subject in their pictures . Because sunlight can be split up into a number of colours they set their palettes with pigments approximating to the ...
... light in modifying form and local colour and , as Monet said , light became the principal subject in their pictures . Because sunlight can be split up into a number of colours they set their palettes with pigments approximating to the ...
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A. E. HOUSMAN abstract aesthetic emotion aesthetic sense anapaests appearance appreciation architect architecture artist beauty building century Cézanne classical CLIVE BELL colour combination conscious considered contrapuntal creative derived doth effect element English ERIC GILL essential experience expression eyes feeling flowers function Gothic Gothic architecture Greek hand harmony hear Herbert Read iambic ideas imagination imitation intellectual literal meaning living look medium Messrs metre mind nature never object onomatopoeia painter painting passage pattern picture Piero della Francesca pleasure poem poet poetic poetry prose pure rational realism Renaissance representation rhyme rhythm ROGER FRY Romantic sculpture sequence Shakespeare shape significance sonnet soul sound spondee Sprung Rhythm story style suggest sweet syllables T. S. ELIOT thee thing thou thought three-dimensional tones trochee true ugly unconscious mind verse visual art whole words writing yellow