Five ArtsDuckworth, 1946 - 258 strani |
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Zadetki 1–3 od 33
Stran 47
... representation or the literary representation of anecdote and story . This is natural and admirable ; but is this the finest and the final satisfaction to be derived from a work of art ? It is suggested that the representation is ...
... representation or the literary representation of anecdote and story . This is natural and admirable ; but is this the finest and the final satisfaction to be derived from a work of art ? It is suggested that the representation is ...
Stran 105
... representation . This combination of shape and colour is what Clive Bell calls ' significant form ' ; the quality ... representation . At the one extreme architecture , the most concrete of the arts , must be judged by its appearance ...
... representation . This combination of shape and colour is what Clive Bell calls ' significant form ' ; the quality ... representation . At the one extreme architecture , the most concrete of the arts , must be judged by its appearance ...
Stran 106
... representation , and in the stimulus of emotional transference , and as very few people are powerfully moved by pure form , abstract art would tend to become precious and esoteric . If the painter , like the poet , is to transfer an ...
... representation , and in the stimulus of emotional transference , and as very few people are powerfully moved by pure form , abstract art would tend to become precious and esoteric . If the painter , like the poet , is to transfer an ...
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A. E. HOUSMAN abstract aesthetic emotion aesthetic sense anapaests appearance appreciation architect architecture artist beauty building century Cézanne classical CLIVE BELL colour combination conscious considered contrapuntal creative derived doth effect element English ERIC GILL essential experience expression eyes feeling flowers function Gothic Gothic architecture Greek hand harmony hear Herbert Read iambic ideas imagination imitation intellectual literal meaning living look medium Messrs metre mind nature never object onomatopoeia painter painting passage pattern picture Piero della Francesca pleasure poem poet poetic poetry prose pure rational realism Renaissance representation rhyme rhythm ROGER FRY Romantic sculpture sequence Shakespeare shape significance sonnet soul sound spondee Sprung Rhythm story style suggest sweet syllables T. S. ELIOT thee thing thou thought three-dimensional tones trochee true ugly unconscious mind verse visual art whole words writing yellow