Five ArtsDuckworth, 1946 - 258 strani |
Iz vsebine knjige
Zadetki 1–3 od 34
Stran 26
... seen in the round — especially on the apron stage , and the cinema combines continuity with the infinitely varied subject - matter of painting . It should be remarked that in a sense the time element does enter into sculpture and ...
... seen in the round — especially on the apron stage , and the cinema combines continuity with the infinitely varied subject - matter of painting . It should be remarked that in a sense the time element does enter into sculpture and ...
Stran 55
... seen pleases we must remember that it is the thing which is seen . It is remarkably easy to look at a thing and not see it . Confronted by the painted portrait of a friend most people hardly , that is to say only with great difficulty ...
... seen pleases we must remember that it is the thing which is seen . It is remarkably easy to look at a thing and not see it . Confronted by the painted portrait of a friend most people hardly , that is to say only with great difficulty ...
Stran 61
... seen the gradual emergence of the ' useful object ' shorn of all ' art - nonsense ' , all factitious allurement or ornament or caprice , the true product of the machine - beautiful because truly functional , therefore satis- factory to ...
... seen the gradual emergence of the ' useful object ' shorn of all ' art - nonsense ' , all factitious allurement or ornament or caprice , the true product of the machine - beautiful because truly functional , therefore satis- factory to ...
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Pogosti izrazi in povedi
A. E. HOUSMAN abstract aesthetic emotion aesthetic sense anapaests appearance appreciation architect architecture artist beauty building century Cézanne classical CLIVE BELL colour combination conscious considered contrapuntal creative derived doth effect element English ERIC GILL essential experience expression eyes feeling flowers function Gothic Gothic architecture Greek hand harmony hear Herbert Read iambic ideas imagination imitation intellectual literal meaning living look medium Messrs metre mind nature never object onomatopoeia painter painting passage pattern picture Piero della Francesca pleasure poem poet poetic poetry prose pure rational realism Renaissance representation rhyme rhythm ROGER FRY Romantic sculpture sequence Shakespeare shape significance sonnet soul sound spondee Sprung Rhythm story style suggest sweet syllables T. S. ELIOT thee thing thou thought three-dimensional tones trochee true ugly unconscious mind verse visual art whole words writing yellow