Five ArtsDuckworth, 1946 - 258 strani |
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Stran 25
... visual arts , that their appeal is in the first place to the eye . Of these architecture is the purest form of visual art , for though the mind may be distracted by romantic and historical associations , and by a knowledge of the ...
... visual arts , that their appeal is in the first place to the eye . Of these architecture is the purest form of visual art , for though the mind may be distracted by romantic and historical associations , and by a knowledge of the ...
Stran 26
... visual imagery they may describe or suggest is dependent on the imagination : we do not see the images objectively , but in the mind's eye . But again because the element of these arts is time they have the advantage over the visual ...
... visual imagery they may describe or suggest is dependent on the imagination : we do not see the images objectively , but in the mind's eye . But again because the element of these arts is time they have the advantage over the visual ...
Stran 28
... visual arts , as shape is most commonly conceived as a visual quality : a building , for example , has a well - defined three - dimensional shape , and this is the quality by which we remember and judge it . So too has a sculpture ...
... visual arts , as shape is most commonly conceived as a visual quality : a building , for example , has a well - defined three - dimensional shape , and this is the quality by which we remember and judge it . So too has a sculpture ...
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A. E. HOUSMAN abstract aesthetic emotion aesthetic sense anapaests appearance appreciation architect architecture artist beauty building century Cézanne classical CLIVE BELL colour combination conscious considered contrapuntal creative derived doth effect element English ERIC GILL essential experience expression eyes feeling flowers function Gothic Gothic architecture Greek hand harmony hear Herbert Read iambic ideas imagination imitation intellectual literal meaning living look medium Messrs metre mind nature never object onomatopoeia painter painting passage pattern picture Piero della Francesca pleasure poem poet poetic poetry prose pure rational realism Renaissance representation rhyme rhythm ROGER FRY Romantic sculpture sequence Shakespeare shape significance sonnet soul sound spondee Sprung Rhythm story style suggest sweet syllables T. S. ELIOT thee thing thou thought three-dimensional tones trochee true ugly unconscious mind verse visual art whole words writing yellow