The New Poetries: Poetic Form Since Coleridge and WordsworthBucknell University Press, 1985 - 228 strani This penetrating analysis of the prosody of modern poetry traces the growth of sprang rhythm, free verse, and the prose poem out of traditional metered poetry, and examines the multiplicity of ways in which modern poetry innovatively employs the complex logical and grammatical structures of language to create poetic style and to distinguish itself from ordinary discourse. |
Vsebina
Acknowledgments and Note on Terminology | 9 |
The Transformation of Premises 29 22225 | 29 |
Form as ProceedingRomantic Form in History and | 70 |
Avtorske pravice | |
7 preostalih delov ni prikazanih
Pogosti izrazi in povedi
aesthetic American attempt Augustan avant-garde becomes beginning break Bridges called century chapter Classical Coleridge complete concept consciousness continuity conventions Criticism definition described developed devices dominant edited effect elements English especially Essays experience fact figure follow formal free verse genre give grammar Hopkins human idea imagination innovation John kind language less linguistic literary literature London meaning measures meter method metrical mind mode narrative nature norm Oxford pattern period phrase poet poetic poetry possible practice premises present principle prose poem prosody question quote reader reading reference relation rhetoric rhyme rhythm Robert Romantic rules seems sense sentence sound speech sprung rhythm stress structure style syllables syntax theory thought tion traditional translation turn types units University Press versification Whitman whole Wordsworth writing York