secoli xv-xviii: opere d'arte della provincia di Bergamo riportate da Roma. Bergamo, 1920, Istituto italiano d'arti grafiche. 20 pp.; 10 pls. 16mo.--L. Pelandi, Raffaello Sanzio: note. Third edition. Bergamo, 1920, Istituto italiano d'arti grafiche. 45 pp.; 31 pls. 16mo.-K. Pfister, Rembrandt. Munich, 1920, Delphin. 56 pp.; 50 figs. 8vo. 17 M.-L. Planiczig and H. Voss, Drawings of old masters from the collection of Dr. Benno Geiger. Vienna, 1920, Amalthea. 30 pp.; 100 pls. Folio. 1200 M.-H. G. Preconi, Lionardo da Vinci. Bilder und Gedanken. Munich, 1920, Delphin. 22 pp.; 25 figs. 8vo. 3 M. L. Réau, Mathias Grünewald et le retable de Colmar. Nancy, 1920, Berger-Levrault. xlii, 380 pp.; 13 pls.; 58 figs. 4to.- -Ribera (Spagnoletto). Sesenta reproducciones de los mejores cuadros. Madrid, 1920, Fé. 64 pp.; 60 figs. 24to. E. Ricci, Leggende di s. Lodovico e di s. Ercolano dipinte nella cappella del palazzo dei priori in Perugia da Benedetto Bonfigli. Perugia, 1919, Unione tipografica cooperativa. 33 pp.; 7 pls. 8vo.- -M. Rigillo, Raffaello nel IV centenario della sua morte. Piacenza, 1920, Porta. 27 pp. 8vo. 1.80 1. S. Salat Ferrando, Masaccio. Apunts di perspectiva. Barcelona, 1919, La Renaixença. 25 pp.; 9 pls. 16mo. J. von Schlosser, Die deutschen Reichskleinodien. Vienna, 1920, Schroll. 81 pp.; 46 figs.; pl. 8vo. 10 M. -A. Schramm, Der Bilderschmuck der Frühdrucke. Band 2: Die Drucke von Günther Zainer in Angsburg. Leipzig, 1920, Hiersemann. 24 pp.; 100 pls. Folio. 300 M. P. I. Scribanti, Raffaello Sanzio e il cattolicismo: memorie storiche, con note critiche, studii e documenti. Rome, 1920, Ferrari. xxiv, 439 pp. 8vo. 14 1. H. W. Singer, Albrecht Dürer. 96 pp.; 60 figs. 8vo. 2 M. 40. -W. Singer, Rembrandt's sämtliche Radierungen in getreuen Nachbildungen. Nos. 1 and 3. Munich, 1920, Holbein. vi, 8 pp.; 114 pls. Folio. 300 M.- -R. Stiassny, Michael Pachers St. Wolfganger Altar. Vienna, 1919, Schroll. 2 vols. viii, 239 pp. 8vo. 7 pp.; 48 pls. Folio. 200 M. N. Tarchiani, Raffaello. Florence, 1920, Giannini. 3 vols. 37 pp.; 150 pls. 16mo. 151.-L. Testi, Bernardino Zaccagni e l'architettura del rinascimento a Parma. Parma, 1919, Bodoniana. 98 pp. 8vo.- -Trésors d'art de la Belgique: oeuvres de P. P. Rubens. Brussels, 1920, Moussons. 59 pls. 18mo. G. Vasari, Leonardo da Vinci: la vita, nuovamente commentata e illustrata а cura di Giovanni Poggi. Florence, 1919, Pampaloni. lxxvi, 63 pp.; 201 pls. 8vo.-A. Venturi, Raffaello. Rome, 1920, Calzone. 216 pp.; 311 figs.; 52 pls. 4to.- -A. Venturi, Raffaello, VI Aprile MDXX-VI Aprile MCMXX. Bologna, 1920, Zanichelli. 43 pp. 16mo. 1.50 1.-C. Verschaeve, Rubens. Aux cahiers de l'amitié de France et de Flandre. Brussels, 1920, van Oest. 59 pp. 18 mo. -J. W. Villa, Velasquez. Madrid, 1920, Caldega. 72 pp. 16mo.-H. Voss, Die Malerei der Spätrenaissance in Rom und Florenz. Berlin, 1920, Grote. 2 vols. xviii, 620 pp.; 247 figs. 8vo. 60 M. V. Wanscher, Raffaello Santi da Urbino. Copenhagen, 1919, Marcus. 160 pp.; pls. Folio.- -A. Whittlesey, Renaissance Architecture of Central and Northern Spain. New York, 1920, Architectural Book Co. ix, 12 pp.; pls. Folio. $18.00. K. Zoege von Manteuffel, Leonardo da Vinci: eine Auswahl aus seinen Gemälden, Handzeichnungen und Schriften. Munich, 1920, Schmidt. 96 pp.; 70 figs. 8vo. 5 M. Second Series The Journal of the Archaeological Institute of America EDITORIAL BOARD Editor-in-Chief.-Professor WILLIAM NICKERSON BATES. Associate Editors.-Professor GEORGE H. CHASE, of Harvard University (for the American School of Classical Studies at Athens); Professor ALLAN MARQUAND, of Princeton University (for Mediaeval and Renaissance Archaeology); Professor FRANK G. SPECK, of the University of Pennsylvania (for American Archaeology); and Professor SIDNEY N. DEANE, of Smith College. Honorary Editors.-Professor JAMES C. EGBERT, of Columbia University (President of the Institute); Professor Edward CapPS, of Princeton University (Chairman of the Managing Committee of the School at Athens); and Professor JAMES A. MONTGOMERY, of the University of Pennsylvania (Chairman of the Managing Committee of the School in Jerusalem). The JOURNAL OF THE ARCHAEOLOGICAL INSTITUTE OF AMERICA was established in 1897. It contains: Archaeological Papers of the Institute, in the fields of American, Christian, Papers of the American School of Classical Studies at Athens. Classified Bibliography of Archaeological Books. Correspondence; Notes and Notices. The Reports of the Institute, including those of the officers of the Institute and of the Schools in Athens, Rome, Jerusalem, and Santa Fé, and of other Committees; the Minutes of the Council; the Proceedings of the General Meetings; the Directory of the Institute, the Schools, and the affiliated Societies; and supplementary miscellaneous matter are published in the BULLETIN OF THE ARCHAEOLOGICAL INSTITUTE, issued as an annual volume. The BULLETIN is sent to members on request. The annual subscription for non-members is $1.00. Address, the Archaeological Institute of America, Columbia University, New York City. Communications for the Editors may be addressed to Professor WILLIAM N. BATES, 220 St. Mark's Square, Philadelphia, Pa. Material for the Department of Archaeological News, Discussions, and Bibliography should be addressed to Professor SIDNEY N. DEANE, Smith College, Northampton, Mass. Subscriptions and advertisements will be received by THE RUMFORD PRESS, Concord, N. H., and by the Archaeological Institute of America, Columbia University, New York City. Issued quarterly. ANNUAL SUBSCRIPTION, $5.00 Single numbers, $1.50 For the Publications of the Archaeological Institute of America, see the advertising pages. Institute of A GROUP OF SUB-SIDAMARA SARCOPHAGI IN the Morgan wing of the Metropolitan Museum in New York there is a fragment of a sarcophagus which represents an important link between late classic art and the Christian sarcophagi (Fig. 1). This fragment comes from Asia Minor where it was FIGURE 1.-FRAGMENT OF SARCOPHAGUS RELIEF: NEW YORK. purchased by an English man and carried to England, whence it found its way to this country. It represents the seated figure of a man turned to the right, holding in one hand a volumen. He is seated in front of a niche supported on spiral columns and behind his head is a conch shell with the hinge at the base as is customary in Eastern works as distinguished from Western. The capital 1 B. Metr. Mus XIV, p. 17. 2 Weigand, Jb. Arch. I. 1914, pp. 63-67. American Journal of. Archaeology, Second Series. Journal of the 223 |